Surface appeal

We wanted to revamp our kitchen. New surfaces, new worktops, new doors. We wanted something stylish, individual, sustainable and didn’t cost a fortune, something a little more “us” than going into a kitchen store and buying something off the shelf. How hard could that be? 

Actually, we tried that, went to the usual places and saw the usual stuff. Things with names like Nordic Noir and made of granite or Corian. Nice enough, but a bit uninspiring. It started to become a little bit of an obsession. Eventually, we decided on a radical, if familiar, course of action. “Let’s go for a drink and something to eat”. 

We went to Fumi, the new Japanese in Circus Street. The food’s great there and it’s been designed beautifully, a very stylish clean aesthetic. Sitting there, we couldn’t help notice the furniture. The tables looked like marble, but clearly weren’t. 

“We had them made for us. They’re really interesting, they’re made from used coffee”. 

What? 

Two days later I was talking to Jani Lemut in, obviously, a coffee shop. 

“It was just an obvious thing to do. I was working with an interior design company who were importing all their furniture from India, but wanted to be more local and sustainable and so on, so they contacted me. We started talking about new designs and what we can do and what different materials to use, local materials. I started thinking ‘What else can I use?’ And coffee was very obvious, because it was just on the table. It was just there”.

How many cups of coffee get thrown away?

“Probably a lot”, said Jani. “I heard a statistic, I don’t know whether it’s right or not, but the average person in UK spends £25 pounds a year on coffee. In Brighton, it’s £75”. 

Apparently there are more coffee shops here per head than anywhere else in the UK. And in Seven Dials… 

“Yes. Most probably. Yeah, and it’s still gaining popularity. It’s quite incredible”.

Jani is a “classically trained furniture maker” from Slovenia who came here after the war in Yugoslavia started in 1990.  “I made wooden children’s toys and we had quite a nice steady business, but then after three or four months, the war started and that was it. Lost everything. The country came to a standstill and basically that’s what brought me here. “I came to see a friend of mine in Gloucestershire and I just loved it. Absolutely loved it. I love the freedom of expression here. When I got to London, I just loved it so much. I said to my friends, ‘Look you go back. I’m staying here’. And that was pretty much it.” 

He moved to St Ives and “had a really good time, doing mainly designing and building furniture, cottages. I was doing lots of artwork as well, art exhibitions and so on. Everything was always based in recycled materials. I was always fascinated by what gets thrown away. What can one do with the challenge? I still feel excited by the idea we can turn objects into a different life. So that’s my main motivation”.

Had you seen coffee used before? 

“People have tried using coffee in all sorts of products, but only as an additive. People have tried make composites are made of coffee and thermoplastics…” At this point Jani started talking about binding processes and chemistry. I ordered another coffee and waited for him to start speaking English again.

How long did it take you to work all this out?

“Two years”. 

And you kept going with it? Because you were certain that it would work?

“Well, I wasn’t certain certain, but there was a promising sign. The problem with it was stabilising the coffee because it’s organic it moves, it does all the the things that any organic stuff does. So to bind it in organic way, it’s quite difficult, but this is exactly what we were trying to do, to make a plastic free component”. 

And you have now?

“Yes, we have. Yes.”

The results are really lovely, but it doesn’t only look lovely, it looks real. Organic. 

“Of course, because all the ingredients that we use are purely by-products of different materials. marble dust, copper, dust, metal. Then you’ve got spices, natural pigments and so on and so forth, all sorts of stuff like charcoal”. 

You could make something beetroot colour?

“Yeah, we do that”.

Could you make something that blue? 

“Yes. Turquoise oxidize copper dust, a very intense turquoise”.

There are other uses for the materials but “I’m a bit wary of mixing too much either plastic or any chemicals with our product, because then it’s difficult to recycle further. So wherever we create, we try to create in such a way that is easy to dispose of or reuse later on. This is the main point of doing this. At the moment, our product, if you leave it out in a field for a couple of years, it will just disintegrate and it will go back to where it came from. That’s pretty much it”.

Everything here is about sustainability. On their website (below) they say “We are carbon neutral. We plant a tree for every sale we make. Our materials are sourced locally and much of it from waste”. They are “a circular business. Everything gets recycled, everything gets re-used”. 

We had the worktops done, the kitchen island and the dining table, and went for a copper sheen finish that looks great and always gets comments. It’s hard-wearing, waterproof, almost completely heatproof and can be made to any size or shape. It also cost about a third of what we were quoted in the high street. 

“Why make something that will be extortionate? Why make something nobody can afford? If you can make something that’s beautiful and accessible and sustainable, then what’s not to like?” 

https://tomasandjani.co.uk

07930 944906

info@tomasandjani.co.uk

Caroline Lucas and life after the Green Party

AppleMark

“I’m not going very far away, I’m absolutely still going to be supporting the party. I’m still not sure what I want to be doing, but rather than being the front bench spokesperson on everything, which I am at the minute, I want to find ways to focus on climate and nature. So really being able to focus on the natural world: That’s what I want to do, but I haven’t decided exactly how yet.” 

Editorial – March/April 2024

“The Secret To Life” – Fizz live at Chalk

Martha Bolt

Martha Bolt’s pick of Brighton Festival ’24

As the line up for this year’s Festival is unveiled,
our Arts Correspondent picks her hot tickets

“The whole city is like a thought experiment” said Frank Cottrell-Boyce, this year’s Guest Director at the launch event for the Brighton Festival, as he explained why he loves Brighton. He spoke about rebellion, and that “people tend to run away to Brighton’, and gave a glimpse of the Festival to come when he claimed that “we need some hope” and that Brighton is one of the few places that “Looks to the future”.

The Festival launch began with a performance from the Carnival Collective – “30 years and still banging” as they say – who appeared onstage with drums and blue and pink sparkling outfits. As the familiar rhythmic sounds began, I was transported to a high energy vision of the event itself. The Collective director was pointing towards the crowd, with people laughing and cheering as the second song began and it was hard not to move along with him, swaying backwards and forwards in my seat in time with the beat.

After, there are a few speeches however the most notable was Brighton Councils leader, Bella Sankey who talked about visiting Brighton Festival as a child and words were being thrown around such as “Eclectic Celebration” and “Great Showcase”.

Cottrell-Boyce and Nadia Shireen, fellow children’s author and co-presenter of their hit podcast “The Island of Brilliance” took to the stage and introduced three of their favorite acts that will feature in the Festival: “The Perfect Show for Rachel”, “Carnesky’s Showwomxn Sideshow Spectacular” and “The Brighton Table Tennis Club”.

“The Perfect Show for Rachel” is a show controlled fully by Rachel who is a theatre loving, 33-year-old, disabled care home resident and sister to Flo who is the artistic director for Zoo Co & Improbable. The show was developed with Rachel to create a show on her own terms. As explained by Flo on stage, Rachel has her own custom built tech booth which she uses to control what happens on stage at certain times. This show, which received a five-star rating from The Guardian, is definitely a must-see.

“Carnesky’s Showwomxn Sideshow Spectacular” Is an outdoor circus, theatre event that comes from the imagination of award-winning performance maker Marisa Carnesky. The show is made-up of a queer, non-binary and female cast who will perform stunts, tell stories and wow us with their skills. The show’s inspiration comes from the heritage of British working-class female circus performers and is, they say, a perfect representation of colorful and weird and wonderful Brighton.

“The Brighton Table Tennis Club” – that is, the real Brighton Table Tennis Club based at the Fitz in Kemptown – explained how they plan to break the world record for the most consecutive different players in one game of table tennis. This free event seems to be jam packed with several activities including a mega table built up of several normal sized tables and an opportunity to watch paralympic gold medalist Will Bayley.

I am particularly looking forward to:

THE CHILDREN’S PARADE: For all ages, The Children’s Parade is a must see. Packed with colour and wonder, it will be hard to miss parading through the street on the 4th of May to officially kick the festival off in all its glory!
https://brightonfestival.org/whats-on/Kot-the-childrens-parade/

KAE TEMPEST: A modern day emotional spoken word artist, who beckons listeners with words of personal experience and depth all while being accompanied by “through the body” music that is bound to give you goose bumps.
https://brightonfestival.org/whats-on/XKX-kae-tempest/

Fri 10 May, Brighton Dome Concert Hall

FAYE WEBSTER: An indie artist sensation who brings love songs such as “Right Side of My Neck” and the TikTok sensation “Kingston”, will melt your heart live from the Brighton Dome Concert Hall. Part of “The Great Escape”
https://brightonfestival.org/whats-on/XOx-faye-webster/

Fri 17 – Sat 18 May, Brighton Dome Concert Hall

THE MAKING OF BERLIN: This film, theater and live music hybrid comes from Yves Degryse to display a portrait of the city of Berlin. The show made it to de Standard top ten productions of the year and was described as “Overwhelming from start to finish”.
https://brightonfestival.org/whats-on/XK3-the-making-of-berlin/

Fri 10 – Sat 11 May, Brighton Dome Corn Exchange

THE WONDER PANEL: The wonder panel is hosted by guest director Frank Cottrell-Boyce and features childhood hero’s Joseph Coelho, Cressida Cowell and my personal favorite, Author of the much love Ottoline series, Chris Riddle.
https://brightonfestival.org/whats-on/XXB-the-wonder-panel/

Sat 11 May, 11am, Brighton Dome Concert Hall

TEENAGE MEN: Brought to you by hit comedy duo, “Shelf” inspired by when the two were mistaken for teenage boys, features anecdotes, songs and the all-important, Instagram algorithm.
https://brightonfestival.org/whats-on/XKQ-shelf-teenage-men/

Sun 19 May, Brighton Dome Studio Theatre

THE NIGHT ALPHABET: Performed by the award-winning poet Joelle Taylor and directed by acclaimed theatre director Neil Bartlett, The Night Alphabet is an investigation into violence, resilience and women’s stories.
https://brightonfestival.org/whats-on/XKL-the-night-alphabet/

Fri 24 – Sat 25 May, Brighton Dome Studio Theatre

OOZE MACHINES: As far as the free events go, this is the one to see. The exhibition has been created by Physicist Dr Libby Heaney and focuses on the seductive and repulsive world of all things goopy.
https://brightonfestival.org/whats-on/XOd-ooze-machines/

Sat 4 May – Sun 30 June, Phoenix Art Space

100 MILES OF STRING: Created by artists Lucy Cran and Bill Leslie, 100 Miles of String is an interactive, outdoor exhibition where audiences can wound string around large objects, creating complex shapes and patterns.
https://brightonfestival.org/whats-on/KoC-100-miles-of-string/

Sat 4 – Sun 26 May 2024, Royal Pavilion Gardens (North Lawn)

GROUND: Production company “Trigger” have put together a three-course meal designed to explore the tangled histories of patenting plants. The experience is led by the voices of Indigenous and traditional knowledge holders and is locally sourced. https://brightonfestival.org/whats-on/Ko7-ground/

Sat 4 – Sun 26 May, Earthship Brighton From £25

For more about this year’s Brighton Festival, go to https://brightonfestival.org/

As long as you’ve got your Elf

Nadia Abbas reports on a new production of Elf at the Brighton Centre

Every Christmas, people around the world rewatch the beloved Hollywood hit Elf. Buddy’s lovable and energetic character, the picturesque New York setting, and the sense of family and nostalgia make this film a festive favourite. This timeless tale will be brought to life on stage for Brighton residents to witness as Elf the Musical will be performed at the Brighton Centre in January. This musical promises to capture the magic of the Elf story whilst also including new and exciting features such as aerial cirque stars, an indoor snowstorm, and much more! It will be the perfect New Year treat.

Jon Conway Productions is bringing Elf the Musical to the Brighton Centre from the 5th-6th of January 2024. It will feature a star-studded cast, including West End actor Steven Serlin, who will play Buddy the Elf. ‘Birds Of A Feather’ actor Charlie Quirke will play Buddy’s New York pal, Charlotte Hall will play Buddy’s love interest Jovie, and Barry Bloxham stars as Buddy’s dad. This musical is suitable for all ages, and it will have hilarious comedy, terrific costumes, and lively original songs by Matt Sklar and Chad Beguelin. Charlie Quirke, actor, said: “Our dance routines have loads of people, they are really big, really in your face, it’s quite eye-catching. There’s a fair bit of everything in this musical.”

This musical will follow the Elf film storyline, but there will also be some thrilling interactive elements to make it a spectacular stage production. This includes arming the audience with two hundred inflatable snowballs during the famous snowball fight scene from the film that they can throw at each other and the actors. Jon Conway, Elf the Musical producer, said: “We never quite know how the snowball fight is going to go; sometimes you get kids who get really carried away, and they jump out of their seats, and they run up and throw the snowballs all over the place!” There will also be a flying sleigh with Santa inside that flies over the cast. Jon Conway, said: “Every few minutes something happens that you don’t quite expect.”  

This musical is working with the charity Laughter is the Best Medicine by raising money for underprivileged children and giving them free tickets to the show. Three hundred of these children are coming to watch the Brighton performance. Jon Conway, said: “If you can’t do good at Christmas, when can you?” Jon Conway Productions is also an ambassador for the charity KidsOut and regularly works with them.

This musical is being performed in other locations throughout December, including Bournemouth, Manchester, and Newcastle. Brighton is the last performance. Charlie Quirke said: “In that first week of January, people are still trying to hold onto that festive season and spirit. Elf is based around Christmas, but it’s also a really nice family show.”

Tickets cost between £26.50 and £55.50 and can be purchased from the Brighton Centre’s website. 

To find out more, visit  https://brightoncentre.co.uk/whats-on/2024/elf-the-musical/

Skip Kelly – Hope Hawkins – Dec 2023

Recently at a game that had all been decided but for the final whistle, I was keen to share the knowledge I had acquired about the opposition and pointed to one of the players and revealed they had played in an FA Cup quarter-final. Hoping that this would give our team some solace in being on the receiving end of a team with some well-established pedigree, I was instead stunned into silence when one of our substitutes responded. “So what? so have I.”

This same person was responsible for ruining Christmas a few years ago when, as the opposition manager as well as their goalkeeper, they masterminded a 1-0 win over Montpelier Villa. It wasn’t a great day. I wasn’t happy. That all changed when we needed a goalkeeper. I put all that in the past, forged a new relationship and since then I’m pleased to say we’ve had some more Hope in our lives. 

“I feel special,” said Hope Hawkins when I said I wanted to interview her. Hope belongs to the generation of female footballers who’ve thrived and played at the highest level despite all the barriers and obstacles. 

“I remember playing football with my cousin who was football mad. There wasn’t a fence between his and the neighbour’s back garden so we used to use all of it as a big football pitch and breaking all my aunt’s plant pots and we also had to make sure we didn’t disturb my uncle’s pigeons. He was a couple of years older than me and he never went easy on me so he taught me a lot.”

Hope does humilty well. When I point out that she played at the Withdean Stadium in an FA Cup Quarter-Final against Arsenal, managed AFC Varndeanians there as well as hosting ourt recent FA Cup exit, she said “it’s also where I fractured my ankle,” 

Despite winning multiple leagues and cups with Brighton and sharing the pitch with a star-studded Arsenal side that included former England captain Faye White, Hope said she doesn’t get excited by winning trophies. 

“Winning leagues and cups is nice but when I think of my best memories it’s the friendships I have made that have lasted years although I remember the first team I joined was an all-boys team with my cousin, I wasn’t allowed play any matches because I was a girl even though I was one of the best players there,” she said, allowing the humility to slip for a second. “They let me play a friendly at the end of the season and I took a free-kick. It hit the crossbar. I was devastated it didn’t go in.”

Hope played for Hollingbury Hawks, Brighton, Rottingdean, and was player-coach

at AFC Varndeanians before reverting to a player once more at Montpelier Villa where she recently announced her retirement but as she points out, this will be the third time she attempts to retire. On this occasion it has come on the back of doctor’s advice but as always Hope has not taken too well to being told what she can’t do and has arguably defied expectations for longer than she should have for the benefit of her team. 

Hope made a brief cameo in the game I mentioned at the beginning of the article. The injuries sustained over a long career of always putting the team first finally catching up with her and although it wasn’t known at the time, this was the last time Hope would play football. 

Despite all, the enthusiasm and love for the game shines through. Hope struggles to contain her delight in describing the makeshift football pitch she shared with her cousin surrounded by pigeons and plant pots. For Hope, it’s never been about the trophies, the stadiums, famous players she’s played with and against. It’s been the lifelong friendships that will outlast all football careers but more importantly than that, it’s been about proving people wrong. 

Seven Cellars / Latina v The Co-op

A long time ago in a faraway land – well, in these pages last April – we ran a story about how the Co-op – yes, the caring, sharing Co-op, the place we all used to bank so we could avoid the rapacious capitalists like Barclays and NatWest… that very same Co-op – was looking to take over Seven Cellars and Latina and create a very big Co-op on the Dials. Sorry, that should have read “another very big Co-op on the Dials”. These shops are an integral part of our community and while we all occasionally go to the Co-op – go on admit it. Maybe when you book Red Snapper and forgot to take a bottle – how many Co-ops do you need? The Dials vibe is of independence, of the personal – let’s keep it that way. 

You have to search for good things to find in stories like these, but one maybe is how it pulls the community together. Local resident, lovely Emma Thomas (quick round of applause) has been pivotal in this and has written this letter. Please read and circulate. And sign.

Dear neighbours,

I am writing this letter to you because our neighbourhood needs you. We are asking for your kind help to support local shops and restaurants in our community. 

Independent shops are the lifeblood of Seven Dials – they give our neighbourhood its distinct character and a lovely feel. They are also vital to living a more sustainable and environmentally-friendly future and one that reflects the dreams and hard work of ordinary people living and working in local communities – rather than large corporations cashing in.

As you may have heard two local small businesses are at risk as the Co-op supermarket chain has bought the lease to their buildings and has threatened them with eviction. 

We already have a huge co-op down the road. This means historic shopfronts dating from as early as 1841 could be destroyed. Unless we act it means that we will lose two much-loved local businesses – the Latina Café, which serves delicious Portugese food and The Seven Cellars wine and beer shop. A lot of love, care, sweat and tears have gone into these businesses, and they are popular with residents and tourists – it is devastating for their owners to invest so much hardwork and money and be forced out by big business in this way.

WHAT WE CAN DO AS A COMMUNITY?

Some residents have already been showing they care by boycotting the small grey co-op on the Seven Dials roundabout and also by putting up this notice in their AirBnbs and guest rooms – so tourists who visit the area can also decide if they want to help to make a difference.

There’s a petition you can sign here (put your phone camera over the QR code… 

Please also write to the CEO of the
Co-op and tell him to get his hands off our lovely Seven Dials.

Matt Hood, Managing Director Co-op

1 Angel Square Manchester M60 0AG

He’s also on Twitter and LinkedIn. Just saying…

Bright Start Nursery

In late October, Brighton & Hove City Council announced plans to cut and relocate Bright Start Nursery in North Laine, a much-loved nursery known for its experienced, caring staff. It’s been in the Old Slipper Baths building at Barrack Yard since 1989 and is used by several families in West Hill. My own daughter may lose her place if the move goes ahead.

 The Council tried to close the nursery last year, but it was saved for the 2023/24 year by a community campaign. This time, the Council are trying to close the nursery by the back door, and have come up with plans to move the nursery into the Tarner Family Hub. 

The proposals would decimate the nursery, scrapping provision for under 2s, reducing the number of spaces by about 70%, and reducing the hours and weeks the nursery operates. 

“It seems bizarre that the Council is cutting one of the few affordable childcare services in the city centre at a time when many parents are struggling to find affordable childcare,” another parent commented to me. 

The Council plans to move the nursery by September 2024, which means the plans are being rushed through. There will be no consultation with the community, and parents are only being offered the opportunity to shape the “operating model” at the new location.

 It’s also unclear if there has been a proper examination of alternative options. One possibility might be to relocate the nursery into St Bartholomew’s School, which would help keep both children and schools in the area. 

A group  of parents at the nursery have launched a campaign – “Save Bright Start” – to try to save this important service. We are calling on the wider community to support us by writing to the leader of Brighton & Hove City Council, Bella Sankey, and the Chair of Children, Families and Schools Committee Cllr Jacob Taylor expressing their opposition to the plans. We have also launched a petition to call on the council to save these services. This can be accessed through the QR code. 

Ed Armston-Sheret

Loved and Loved Again

Style correspondent Ceri Barnes Thompson finds out how to dress to kill while having a “nothing new” pact

When Vanessa Wright was a little girl, she played shops when her peers played teachers and doctors. You’d be more likely to find her rummaging through a jumble sale than a rumbling round the playground, and for little Vanessa easily the best sweet shop was a haberdasher. A career in social work and a family followed alongside a move to Brighton, and as she walked the streets of her new home she would wonder every time a new shop came up for rent why someone didn’t open an old-school dress agency like the ones she grew up around. Until one day…. 

‘Preloved of Brighton’ opened its doors 10 years ago – with its stylish owner ever present to hear how you are, what gigs you’ve been to, what exhibitions have impressed you as well as what you are looking for clothes-wise. Never pushy, always happy for you just to check out any new additions (her stock updates daily with new contributions) Vanessa’s edge is curating her store like a boutique. The jeans are all in one place, the sizes separated up, the sparkly clothes for events and Christmas presented together. Shoes, bags, belts dotted around, there’s even a £10 rail – very worth a rummage for a bargain. And crucially she knows her customers and the fashion zeitgeist so well. There’s no point trying to get her to sell your skinny jeans if wide and cropped is what’s happening at the moment.. she knows what will sell and it’s what makes people happy. Her lovely shop has gone from strength to strength with so many following suit – the market for vintage having massively expanded, and apps  like Depop and Vinted giving new life to old clothes. I see my younger son in someone’s old French-blue Ralph Lauren hoody he’s found on line and snagged for a steal and know that for him it delivers that spark – it’s new to him. 

When Preloved started it was the only place of its kind here – chic and thoughtfully stocked with people’s preloved clothing – splitting the proceeds 50/50 with the people who bring her their treasures. And so often for Vanessa the real treasure is in the stories of the clothes, the connection to her customers and the lives that they have lived.

Initially her clientele was probably between 30 and 60 years old, but now Vanessa reckons it’s more like 15 to 80, and this is so much down to the atmosphere that she’s created. She believes clothes aren’t ‘just’ clothes; they are key to how you feel. Her warmth and interest in the people who come in and their stories wraps you up like a friendly hug. I can’t think of a time I’ve visited when there hasn’t been a lovely chat or a serendipitous exchange of information. I’ve even found a physiotherapist who knows about knees whilst in the shop with Vanessa literally getting on the floor and showing me the best joint exercises to do. 

What gets her up in the morning is a real mission to change people’s minds about buying all their clothes new – it truly makes her day if even one person makes a decision to buy vintage and feels great in it. 

And it’s because of pioneers like Vanessa that I’ve started asking those questions I’d never asked myself – what really do I wear that makes me feel properly myself? The answer is a very limited list, truly. 

This year my husband and I have had a pact to buy no new clothes and it’s been HARD. 

The biggest test of our ‘nothing new’ pact came in the form of a wedding and our oldest son’s graduation. Could I ever feel ‘dressed up’ wearing something ‘old’ to events like that?. Hovering over the ‘add to basket’ on the Cos website too many times, I headed up to Preloved. There was Vanessa, the shop lit up by the early summer sunshine and her smile, a lovely scent filling the air from an aromatic little steamer on her desk. Behind her, hanging up waiting to go on the rails, was a bright orange and pink summer dress, long length, short sleeves, two layers of cotton. ‘I’d never wear that it’s just not my thing’, I thought and dismissed it immediately. Vanessa held it up. “Why don’t you try it, Ceri? it’s a good length for you”. So I did. And when I opened the curtain Vanessa said “Look at that smile!”. I felt fantastic. Worried that my idea of pairing it with my dark blue clutch bag would ‘kill the dress’ (she has a very, very good fashion eye) Vanessa found a gold and orange one and that was that. For £40 I had an outfit that made me feel a million dollars. 

People like Vanessa and their passion for design, designers, textiles and stories really do make the world go round. She’s recently launched a ‘what are you looking for?’ service and she also uses her Instagram presence to promote other local business generously. It’s from her that I really do understand that new doesn’t have to be ‘brand’-new. It can be new to ME. And that not only has to be good enough it’s just plain great. 

Building Works – Russell Chilvers

Seven and a half years after moving down from London – I know, someone had to do it – to East Sussex, well Hove, actually, I’ve moved up the hill to the Dials. This is my third home here, and I’ve never looked back. I never get bored with the people and vibe of our city, I not sure I could live anywhere else.

A hobby of mine is renovating my homes, being a 41-year-old batchelor certainly gives me the opportunity to live in dusty dwellings from time to time. When I recently sold my last home in Hove, I effectively made myself homeless. I wasn’t sure what my next move was, so on the day of completion, I did the sensible thing and headed to Thailand for a few weeks. Well, what choice did I have? When I returned, I decided to look for my next renovation project. Nothing really caught my eye but then an agent friend of mine called and said I must come and see this flat on Albert Road. West Hill, I thought. Really? Little did I know, but now I feel very happy and fortunate with my move and look forward to meeting more neighbours and making new friends as I settle in. The only thing I still slightly miss is living next door to the sea but however, the village and community feel of where I am now more than makes up for it. It’s such a friendly neighbourhood and I love the Dials itself with the shops, pubs and places to eat not forgetting how unbelievably close we are to Brighton town centre and the station. 

OK, it’s time to say it. I’m an estate agent. No, no. Please don’t stop reading. It’s OK. I understand, but really I’m nice. Anyway, I like Victorian and Edwardian style buildings. I’ve always lived in pre 1910 homes and all the properties I’ve sold over my 20-year career in London and Sussex have always been period properties. However, one thing I don’t enjoy as much is the drafts and leaks they offer, especially when living on the coast. My top floor flat has a built-in indoor water feature which really comes alive when it rains, as much as I’d love to keep it, I’ve been trying to get a roofer round this week but funnily enough, they’ve all been rather busy. 

Once the roof is fixed, I shall paint the ceiling and then live in the flat for a few months before deciding on which wall to knock down first. I’ve made that mistake before, you move into a new place, refurb it straight away and then wished you’d waited for a while before making any changes. You need to give yourself the chance to really get to know your new home and its quirks, first. It can be a costly mistake if you don’t.

With my business I run a Personal Estate Agency in Brighton & Hove where you only work with me from start to finish. I really enjoy helping people move while often suggesting and pointing out ideas that people may not have spotted. If you want to work with someone who’s proactive, helpful, and knowledgeable be sure to drop me a line. 

In the meantime, I am teaming up with The Whistler to start a property surgery where every month I shall be answering any property related questions you may have so please drop us an email and I will do my very best to answer them for you.  

Have a wonderful Christmas and a happy and positive 2024.

Russell’s new column starts next time out. If you have any questions about buildings, renovation, indoor water features… send them to The Whistler at jedski@mac.com 

Climate Cafe

Changing the Game: How Brighton’s companies are leading the way to a greener future. Gilly Smith reports

I’m waiting for Ella Byass from Marketing at the new Red Roaster restaurant in New Road on a warm afternoon in November. The nice young waiter asks me where I’d like to sit, and I choose the quieter terrace outside as I’m about to record Ella’s interview. He fiddles with a remote and pops off to get my coffee. He’s turned the heating on. Outside.

It’s not a great start to an interview about Red Roaster’s hard-won battle for B Corp, the global accreditation that aims to shift the behaviour, structure and very culture of capitalism by exacting excellence in every inch of a business. As Ella tells me that they’re one of just 7000 companies in the world to be given its stamp of approval after its rigorous three-year assessment process, I’m still trying to square the heater issue.

Red Roaster has been one of Brighton’s most sustainable companies for years; its coffee roastery in Kemp Town is the only organic coffee roastery in the South East, and its beachfront café, Lucky Beach which won the Food Made Good People’s Favourite Restaurant award in partnership with delicious. Magazine in 2017, has been collecting gongs ever since. 

Membership of the Sustainable Restaurant Association keeps the company focussed on sourcing responsibly, which includes supporting farmers who employ good animal husbandry and contribute positively to carbon capture with regenerative farming techniques to keep the soil healthy. The SRA keeps its members up to date on how best to trade, use energy and keep its carbon footprint low, but also how to interact with the community and treat its teams. 

In Brighton, they’ve switched all of their delivery vehicles to electric or bikes, and are the largest employer of learning-disabled adults in Brighton. Ella tells me that 75% of their produce for their Brighton cafes are sourced locally; its cider comes from Whistler favourite, Trenchmore Farm which operates its own micro circular economy. Its organic eggs are from Rookery Farm in West Sussex and most of its seasonal produce are from Shrub Provisions, one of the increasing numbers of sustainable food hubs working with regenerative or organic local farms for next day delivery to restaurants.  And where it can’t buy local, it supports the farmers’ own communities; Red Roaster’s coffee beans come from Brazil, Honduras and most notably from Rwanda where they run most of their social projects, including building schools and medical centres. 

Led by early sustainability adopters, Diana and Mike Palmer, Red Roaster’s B Corp badge is only the beginning.  “With B Corp, you have to constantly show how you’re improving” Ella tells me. “They’ll come back in three years’ time and say, ‘Right, this is was great three years ago, but what have you done since?’ We can’t just be like, great, we’ve got the B Corp. They’ll want to know how we’ve reduced our carbon footprint even further. They don’t allow you to use it as a green washing technique.”

As businesses try to attract and retain late millennials and Gen Z into a post Lockdown workplace where all the rules have been thrown out of the pram, sustainability is one of the most popular keywords in the search for employment. According to the Institute for Advertising Ethics, 64% of millennials will no longer work for a company that fails to show a strong corporate social responsibility. The data also shows that Gen Z are so concerned about what their peers think of their employers, that their choices are increasingly those that can prove they’re doing the right thing.

It’s an amazing story, but how will anyone know while the only connection the customer has is with a waiter who turns an outdoor heater on without even asking? Ok, so it turns out that the heaters are solar powered, but the point is how would we know?  A brunch with a mate a couple of days after our interview revealed the waitresses weren’t acquainted with the company line either, and the bacon was from Ireland.  

“Our sustainability story is on the menu”, Ella tells me.  Now, come on; who salivates over the food options, ponders over the cocktails and then scrolls through to the last page to read the diversity pledge? We’re Whistling big time for Red Roaster, but maybe by the time the B Corp team come back to check, their waiters will be wearing the t-shirt.

Of the tiny clutch of B Corp companies in the world, we’ve got quite a handful in Brighton. And if you’re thinking about booking your next holiday, you might like to know that one of them is a sustainable travel company which says that it’s not really very cool to fly at all. “There is no denying the fact that if you fly long haul, it will make up a very, very significant proportion of your year’s carbon footprint,” says Nick Pulley, founder of Selective Asia. You’re not even going to get a virtue signalling offset plan as part of the cost of your flight at Selective Asia.  “With an increasing number of reports casting doubt on the benefits of carbon mitigation, we don’t have the necessary clarity and confidence on this approach that we would ideally like,” proclaims the website. 

Instead, the travel agency works with Brighton-based carbon calculating company, C-Level which works directly with environmental scientists and communities on the front line of climate change to develop conservation projects that can provide locals with an income. This is not so much about mitigating the impact of travel, but actively supporting local economies to thrive.  Call it distribution of wealth.

“Travelling with a tour operator like us means introducing clients properly to the cultures and steering them away from the heavy footfall area”, says Nick. Encouraging them to eat on the streets and in family-run restaurants rather than in the larger hotels means shaking the hands that feeds, while keeping the tourist spend local. Travelling in-country by train not only avoids the carbon heavy short hop flights, but gives the traveller a chance to see the landscape and feel the distance.  

Eco-tourism is about understanding impact, and we’ve got to stop flying if we’re to save the planet. But if you’ve just got to make that trip of a lifetime, make sure it helps to secure the D’ering-Dibru Saikhowa Elephant Corridor in the northeast Indian states of Assam and Arunachal Pradesh or support Lone Buffalo, the Laos community project giving free English tuition, sport and creative skills tutoring to local kids. 

The Ruff Guide To Eating Out

Who knew there were so many dog-friendly restaurants in our city? Well, Maya the Romanian rescue for one. As we tucked into our dinner one wet and windy evening at Murmur, we were surprised to find a beautiful but rather anxious dog on the next table. “Don’t look her in the eye and she’ll be fine”, smiled Mum. 

Look, we’re dog people and a nervous dog on a couchette in one of our favourite restaurants is always going to be fine with us. But while we would normally have focussed by now on the delicious fish caught only this morning by Brighton’s own day boat fishermen, we found ourselves in a curiously unBritish chat about dogs. Maya, our new friends told us, was already able to use a word board to tell her new parents how she was feeling. 

“OMG,” squeaked our Gen Z daughter, ‘Do you follow Bunny on Tik Tok?” Of course they did. Bunny, it seems, is the talking dog who presses audio buttons to formulate whole sentences in order to communicate to her owners. “Maya kept us up all night last week”, said her Dad weakly, only slightly failing to follow the party line. “She was pressing ‘tummy’ ‘hurt’ ‘outside’ ‘medicine’ until I had to put a pillow over my head.” Why he didn’t just let her out, he didn’t say. 

It wasn’t like this in France. For three whole weeks this summer, we feasted on dog friendly vibes. From bites in bars in balmy squares to Michelin starred 12 coursers, Pickle, our 13-year-old Collie Cross was more than welcome. Even in the brasserie at the hypermarche where we sheltered from the rain while charging the electric car (again), Pickle was invited in. “C’est normale” said the waiter, giving him a bowl of water before we could ask. Dogs in France sit under tables and are mostly seen and not heard, although the waiters Pickle met generally stopped for a little ear rub and a chat. Only once did we find a giant poodle sitting on his Dad’s lap. But they were Dutch.

And, as it turns out, it’s pretty normal in Brighton too. Maybe dogs are welcome all over the country and we’ve just never dared to ask. So, we’ve decided to send Pickle out as chief reporter for a brand-new column for the Whistler, The Ruff Guide to Brighton and Hove (see opposite page). He’ll be marking Brighton restaurants on the quality of the welcome, the offer of a water bowl and the quality of the meat. Of vegan and vegetarian fare, it’s all about the meat taste. I did tell him that that’s not always the point, but, well, you can’t teach an old dog new tricks. First up, Kusaki in Preston Circus… 

Gilly Smith

Joloff Cafe – A refuge from the madness

Refugees often get a bad press here. You might have noticed. Like most people, we find it really dispiriting, but there are always good people doing good things. And if good things involve hummus… what’s not to like? 

We’re lucky here in this part of  the world – there are fantastic organisations such as The Launchpad Collective who are doing real things to help refugees with real tools such as work and language. And here at the West Hill Hall, the every Wednesday morning The Jollof Cafe takes over and… What’s the Jollof Cafe? 

“It’s a project of the Sussex and refugee migrant self support group. It’s run for and by migrants, refugees, asylum seekers. It’s free for those who can’t afford it and £5 or whatever they feel like for those who can which enables people who can’t afford to eat there to do so. Each week we’ve got different chefs and it’s a lovely atmosphere and great food.” 

I’m talking with Catherine Brown, and Catherine’s long been on the side of the good guys. “I used to work with Voices in Exile and now volunteer with Sussex refugee and migrant Self Support Group which Jollof is part of”. 

“We started in 2017. We used to be at The Cowley Club in London Road, and then after Lockdown we opened up at the West Hill Hall. It’s a little treasure, a bit hard to find, but a treasure.

“The food is always vegetarian, and often vegan. It’s a welcoming, safe space where the migrant community can invite the local community in rather than the other way around. They’re always recipients of charity. Here, it’s the other way around.

And who are the biggest communities? “We used to do a lot of work with the Syrian community, and I was surprised at how many Syrian people that were here. Yes, so still Syrians but a lot less coming than about six or seven years ago. We’ve got some brilliant members of the group who cook for us when they when they’ve got time off from their English lessons. There are Kurds from Iran  and Iraq. Where else? We got people from Sudan, Ethiopia, Eritrea…”

And what’s Jollof? “Jollof rice is a West African dish. When we first started, we had a lot of West Africans cooking for us and we had Jollof  all the time. It’s a peanutty spicy sauce and the rice is cooked in the sauce. It’s usually with meat, but because I’ve only had it at the Hall I’ve never had it with meat”. 

I’m guessing the food at your place is pretty good then. “It’s pretty damn good. Yeah, I get to eat very well. I think Syrian is probably my favorite.” 

Syrian food is… I know about Syrian food. I pride myself on my hummus making abilities and, maybe foolishly once said to a Syrian guy I knew that I made good hummus. So we had a “Hummus  Battle”. I told Catherine and as I told her, I heard her laugh.  

“You lost, I’m guessing”.

“Lost isn’t the word. It wasn’t that close”.

Sam Harrington-Lowe – Dec 2023

Regular readers of this fine organ may remember me grumbling about the arrival of autumn a couple of months ago. I’ve got past this now and have surrendered to the inevitable onslaught of rain and wind. So it was with some surprise that the other day I found myself (mildly) enthusiastic for Christmas.

As someone from a large family which has shrunk in recent years, due to more despatch than hatch, I’ve become increasingly ambivalent about the C word. I feel like I ought to like it, but actually Christmas can be fraught with expectation, overwhelm, and strife. I’ve never been a huge fan. I’m not keen on turkey, small talk, or the wearing of paper hats. And don’t get me started on the torture that is charades. 

Having said that, I have spent Christmas Day on my own before, having developed some kind of ghastly strep throat affair. In martyrous fashion I elected to stay home alone, like Kevin, imagining the freedom from ritual and heartiness and stuffed fowl to be a blessing. But it backfired. I didn’t think I’d mind, but I did, and spent half the day howling with loneliness. As Will Self once poncily wrote in the Independent, “deliberately being alone on Christmas Day was a bad move… it was tempting fate to toy with isolation, when life, with all its impulsive alacrity, may at any time capriciously thrust you out in the cold.”

In later years as an adult hosting my own Christmases, I’ve aimed for some kind of halfway house – a nice roast, no big dramatic thing, no hustling my daughter (who dislikes Christmas even more than I do) to be jolly. Possibly a tree. But this year I admit to feeling a frisson of excitement. Not much, but a tiny fizz. Could this be… Christmas spirit?

Perhaps the news that IKEA has bought Churchill Square has cheered me up. Nothing like a bit of IKEA shopping and a bucket of meatballs and jam to cheer the spirits. Although lord knows when it’ll be open. Perhaps it’s the sight of a 70cl bottle of Baileys on sale in Tesco for £6 that’s done it. “Six quid!” I squawked loudly in the shop to no-one in particular. Whatever it is, I’m feeling it. And so I have decided to Get On Board with Christmas this year, instead of trying to pretend it’s not happening.

My Christmas resolutions, if you like, will be positive and upbeat. I will join in with things. I will say yes to nights out with friends. I will get pressies early and lovingly, instead of late on Christmas Eve when I’m half cut from a liquid lunch and crying in the crowds of other bewildered, desperate shoppers.

I will send Christmas cards – in time, not ones that arrive in January. And I will wear a Christmas jumper. I will not hate Slade. I will put up some decorations.

But more than anything, I will make time to spend with the people I love the most. Because if the other C word has taught us anything it’s that life is short, and people are precious. Make the most of both.

Have a wonderful Christmas everyone. See you on the other side.

l Sam is founder and Editor-in-Chief of Silver Magazine – for the mature maverick

http://www.silvermagazine.co.uk

Jim Gowans Conservation Matters Dec 2023

Air Conditioning Unit: harming the appearance of Guildford Road 

The owners of number 18 did not seek permission when they installed the air conditioning unit on the front of this corner property. They were held to account by the Council’s Planning Enforcement Team but then made a “retrospective planning application” in an effort to retain it. 

This application was inevitably refused with officers saying the unit is contrary to the character of the building and harmful to the appearance of the conservation area.

The neighbouring properties have attractive shop fronts, especially that of “Adrian Robins Interiors” two doors down and this ugly metal box is undoubtedly an eyesore and besides surely unnecessary. It’s therefore surprising that the owners of number 18 have lodged an appeal against the Council’s decision.

Battle of Trafalgar Pub: preserving the appearance of Guildford Road

Whilst residents have expressed some concern about the increase in lighting levels, the application to display a newly designed pub sign (see picture) and install lanterns and uplighters to the front elevation has been approved by officers. The current fashion of painting pubs in dark colours is being followed, in this case a “Mallard” (dark) green which is a radical change from the existing white. The current sign simply carries the name of the pub and the date 1805 but the proposed sign again depicts a scene from the famous sea battle although not the same as the one which disappeared in about 2015. The proposed traditional signwriting is to be welcomed. This is to be in a colour described as “Indian White”. The paint manufacturer describes this as “an extremely flexible, pale, warm white that captures the purity and optimism of a bright spring morning”. After 15 pints on a Saturday night punters might well want to capture that purity and optimism!

Nicholas Lezard – View From The Hill Dec 2023

The Prince Albert, you know, the one by the station, a downhill stumble from the peak of West Hill, is one of the greatest pubs in a town with a greater abundance and favourable ratio to bad pubs than in any town I have ever seen, and I’ve seen a few. Both towns and pubs. I really know what I’m talking about. And such is the way of the world, or the way of this country, pubs are being closed down and this is terrible.

The Prince Albert – and I am open to the suggestion that the lewd piercing referred to by this name originated if not in this very pub but at least in this very town, for reasons I do not need to elaborate – is one of those places where the traditional and the counterculture meet as one. 

My first proper evening there was when I finally, some years ago, moved to Brighton for good with the last items of my scant luggage. There wasn’t much: it was mostly my grandfather’s overcoat, which I was wearing, and a plastic bag containing, mostly, a teapot. I was tired, and it was late, and my new lodgings were up a steep hill – you know the one I mean – but the Albert was a brief step downhill and I could hear the noise of a band thudding through the walls and the mist, the kind of band I used to stay up late to tape off John Peel in the 70s. A truly horrendous noise, designed to both offend and charm – there were tunes behind it – with what I could tell even at a distance was a very angry female singer. This, I have to say, is one of my favourite genres.

So I went in the pub and went upstairs to listen to the band and even though I was wearing an ancient overcoat and carrying a teapot and was, by some decades, the oldest person in the room, I was utterly charmed. The band were called something that I cannot repeat even here; let’s just say a four-letter word was involved. They were clearly not aiming for chart success. But I stayed for the whole set and even chatted with the lead singer (her traumatised backing band, mostly men, had disappeared) for a while afterwards, and of course she turned out to be as sweet and modest and considerate as her on-stage persona had been confrontational and furious. This is so often the way.

And yet downstairs it’s all fireplaces and wallpaper from the 1920s as far as I can tell and, well you get the idea. The problem is that the pub has been under threat from developers. The latest recent plans have rejected by councillors but we need to make sure new plans don’t rear their ugly heads again. The best way to do that is to pop down there for a pint some time, just to let you know you love them. You don’t have to see Bleeding Ohyouknow upstairs but if they are playing, give them a listen. 

Editorial – Dec 2023 / Jan 2024

It’s dark and cold and I’ve been wondering if it was ever going to stop raining. I’ve never been sure about winter – whose idea was that? I mean really. It’s not as good an idea as summer. Or spring. Or anything else that’s ever been ever. But even in winter exciting things happen.

As I write, there’s a woman I’ve never met called Sarah driving a van across the vast landscape of Europe, across countries and rivers, across seas and boundaries. In the van are lots of cages, each containing a puppy dog leaving the remarkable Sue Deeth and her Healing Paws rescue centre in Zante, Greece and heading to a new world, a new life. Their furever home, as the dog rescue fraternity has it. They’re sedated and hopefully oblivious, probably scared, probably nervous, almost certainly cold. How can they know what’s in store? 

They might not know what’s in store, but for two of those pups, The Whistler knows. In one small cage there’s a black and white smiley thing called Freckle who is apparently a Labrador/Collie cross (that’s what she said anyway and I’m pretty sure she must have heard somewhere people like labradors and collies), and in another there’s a shy little Spaniel called Domino and by the time Your Friendly Neighbourhood Whistler glides effortlessly through your letter box, Freckle and Domino will be part of our family.

According to the Healing Paws website, Domino was found in an abandoned olive grove, and Freckle… who knows? Already I don’t believe her. But another similar tale no doubt. 

If you’re a dog person and you go walking in St Nick’s Rest Garden with the rest of the Pooch Pals, you’ll  probably already know them. They’ll be ones trying to keep up with Pickle, their 13-year-old new dad/mentor as he races around, woofing and smiling and woofing (the St Nick’s guys know). 

Three dogs. I know. In a small flat in West Hill. I know. With a regular car. Really, I know. Right now I feel like spending every waking minute sitting on the sofa, because I’m not sure I’ll ever see it again. Stretching out in bed. That’s probably another distant memory. Staying in that bed longer than the sun stays down? Not a chance. They’ll team up, take turns, sort it out, and as the chorus of “Dad, I need a wee” breaks out… You’re going to get up, aren’t you?” But as much as they need us, we need them. What’s life without a bit of unconditional canine love? But three dogs. That’s us, outnumbered. 

Quite what Pickle will make of his new family, who knows? His life has changed  a fair bit since we got him last September. He’d just been aband… Oh, let’s not talk about that. A bit of TLC, a raw egg every morning, some of our homeopath Foxey’s magic and he makes Steve Austin look like one of the flowerpot men. He’ll be fine. If Mum and Dad say it’s fine, it’ll be fine. Anyway, he’s only recently found a new calling. Mum and Dad are both journalists, and so… Turn a couple of pages and you’ll find out. There’ll be no stopping him now. He’ll be insufferable.  

Horry And Simpson

“It’s funny, we did Come Dine With Me. And I feel like I’m auditioning again.”

You were on it?

“No, we were bloody runners up, which is really annoying.”

 I’m in Royston Horry and Eric Simpson’s kitchen and they’re telling me about their Lockdown project which has become their post-Lockdown work. Candles, diffusers, workshops…

So why candles? If you wanted to do something different, why not, I don’t know, pick up a bass guitar or something? “Because I like candles”. You really can’t say fairer than that. 

“I like candles. I like diffusers. And that was the main thing. I wanted to do it. Because we spoke about it ages ago, like years and years before that Lockdown stuff. But Lockdown gave us the time and it was just like, if we don’t do it now, I don’t think we’ll ever do it.

Did you know anything about how to make candles? “YouTube”. YouTube? “Yeah, YouTube and Google. I mean, so much has changed since we started, we’ve got black glass, the design’s all different and then it was all about picking the scents and trying to work out what would sell”. And they do look beautiful and they do smell very nice and they are doing very well.  

All Royston and Eric’s scents are named after their favourite areas of Brighton “and so you’ve got Clifton; Rose Cottage is where we live; you’ve got Bookshop because there’s so many book shops in Brighton and we love book shops; you’ve got Palmeira; Kemp Town; Montefiore; Beach; Brunswick; Hanover; Naked Beach…”

It’s a proper cottage industry – in a cottage. At one stage Eric disappears down to  the basement. Is that where the magic happens? I ask when he comes back. “No, that’s just downstairs, We make all the candles here” he says pointing at the cooker. You make all the candles on the cooker? “Yes, that’s why we called one of the scents Rose Cottage”.

What’s your best seller? “Now it’s probably Bookshops. It’s a new one out and it’s a masculine powerful scent for men and women.” When you say masculine powerful one, what do you mean? “Because it’s black and the scent is stronger. It’s got tobacco and leather and biases (a rose scent) which is quite lovely. You wouldn’t have put leather and tobacco in there but it does smell quite lovely.”

l http://www.horryandsimpson.co.uk/

Hear the Lioness roar

Skip Kelly, coach of Montpelier Villa Women, explains
why women’s football has transcended nationalism

It’s hard to predict the future, and what I’m about to write could come back to haunt me. For a man with a name like mine and a background like mine and a cultural upbringing like mine… Are these the words I’m commiting to print in the finest local magazine to be read by millions? The words that will finally see me charged and convicted? 

I like the English football team. No, not that one. Let’s not get carried away. The English football  team that puts a smile on your face. It’s been another incredible summer for The Lionesses and many of you will wonder if I am referring to the Lionesses of Singapore or the indomitable Lionesses of Cameroon or the humble, but local English Lionesses. 

This summer was spent reacquainting ourselves with women’s football teams from around the world such as the Super Falcons (Nigeria), The Reggae Girlz (Jamaica) and, of course, The Girls in Green (Ireland).

Nationalism is one of those concepts like organised religion or low emission zones that emits a guttural reaction ignoring the sometime possible benefits. Such as laughing at your neighbours when they are knocked out of international football tournaments. 

Like all those concepts, it’s often the subtlety that provokes shock – and Irish nationalism is no different. After sitting through a school curriculum that had the Gaelic language as a compulsory subject until the age of 18, a history syllabus that taught the wrongs of imperial nations in far flung places like India and Congo, the litany of English football failures serves as a small serving of revenge every couple of years. International football doesn’t allow for nuance and it was always a joy to watch England lose at anything. 

It was suggested that the Australian team – the Matildas – success in the World Cup was the culmination of a co-ordinated online media campaign that itself was a response to the traditional media that supposedly reflects what middle Australia think and espouse good old-fashioned traditional Australian values had for a long time taken a dim view of women’s football. The Matildas were successful because they weren’t seen as representing good old-fashioned Australian values and good old-fashioned Australian morality – they were just seen as Australians. 

I heard this argument and thought it reflected precisely why I found the Lionesses easy to like. The Lionesses had names like Niamh and Mary. Surnames like Daly, Walsh and even Kelly. My initial resentment was at their refusal to declare for Ireland but that has slowly but surely subsided when I realised that these surnames are no longer considered de facto Irish names. 

The Lionesses and The Matildas have somehow transcended nationalism in favour of a more inclusive world for all of us. One that seeks to include rather than exclude. And it’s really hard to root against that, especially when you see first-hand the impact it has on people who’ve previously felt uncomfortable in their own sexuality. Those who felt they had to be in a metaphorical closet now get to see openly gay athletes being celebrated for their athleticism. 

I’m fortunate enough to have a front row seat to this at Montpelier Villa. Our players have always been footballers first, and yet I see how much it means to players when they wear rainbow laces or put up Pride flags at our matches. Our little football team is one of many  that has subverted what’s expected of a ‘traditional’ football team. 

The only court I will be convicted in for liking another football team is the one of public opinion. In the most extraordinary act of self-sabotage ever seen before this court, I would like to present the footage captured by the BBC immediately after Chloe Kelly’s winning goal last summer. Although it’s not clear initially, I am featured in the crowd shot, and I can be seen celebrating wildly with 90,000 others . . . And, yes. I’m wearing my emerald green cap. 

Jim Gowans Conservation Matters – Oct 2023

Bath Street (land east of The Sycamores)

The developer of the land previously used for car parking (see picture) is making what seems to be a pig-headed attempt to remove important conditions placed on the planning permission finally granted on appeal in March this year. Despite the planning inspector making it clear that, in order to preserve the character of the conservation area, conditions are needed in respect of external materials such as roof slates, rainwater goods, render finishes and window frames. A further planning application BH2023/01843 has been submitted in the hope that cheap and no doubt nasty materials can be used to maximise the developer’s profit. The Council’s Heritage Team has inevitably recommended refusal.

Red Pillar Box Blues

The MP for Pavilion has been in correspondence with Royal Mail over its decommissioning of the pillar box (see picture) outside the T@the Dials café in Dyke Road. During the Covid pandemic this was designated a “priority post box” but has been decommissioned for more than a year. According to Royal Mail, the café owners claim ownership of the land on which the pillar box is situated and will not allow the box to be removed (and perhaps re-positioned) during the working day. This would seem to be an unreasonable stance; the café has, after all, been allowed to use the pavement, which it clearly does not own, to place its tables, chairs, and planters. The loss of what was probably the most convenient pillar box for many West Hill residents is further depressing news about a postal service which fails to deliver (and now fails to collect).                            

Reasons to be cheerful

Homes in Clifton Street and Compton Avenue have been restored and are now enhancing the character of the West Hill conservation area. 

The pictures below of  2, Clifton Street show the front elevations before and after the works were carried out. The disfiguring of the original façade probably occurred in the latter part of the last century. The balcony in particular is now an attractive feature.

At no 18 Compton Avenue the flint and brick front wall has been repaired, and new cast iron railings set in particularly good stone coping. The balcony has  been reinstated, the steps refurbished and the garden replanted.

Matt Whistler grills Artist Dotty

Artist Dotty found himself interviewing me after hearing about my mission to run up and down every street in Brighton and accidentally join the London to Brighton marathon for the British Heart Foundation. But after I stopped prattling on about myself for 10 days and whinging that BBC comedy had relocated to Manchester, normal interviewing procedures resumed play with Artist Dotty. 

Creased coffee stained journo pad on table, with naff pencil and dried up pen, I asked: So Artist Dotty what have you being doing recently? “Listening to you banging on” came the reply. Artist Dotty seemed disgruntled and proceeded, in a confessional way, to spew out his recent new direction at embracing AI digital art. 

AD2023 was on the one hand singing the praises on new AI art and its fantastic capabilities and on the other hand looking facially perplexed, as if his face was saying, “Have I sold out as an art purist to the power of technology?” 

He proceeded to tell me that pitching art concepts is now far easier, but was a touch upset when he discussed a digital piece that was generated on the strength of a prompt description. The description read as follows: 

“An architect-style Dotty art gallery, with a space age Dotty band, jamming music”. Within seconds the piece auto generated, through the multiplex dottyverse algorithm and produced a fantastic piece of digital art. 

Dotty explained how he racked his brain to try to multiprocess the digital art in order to put his own artistic stamp on the composition. Then he came to a resigned conclusion, that the piece held its own as a visually great piece of art and narrative. 

Dotty began breaking up his wooden coffee stirrer and dropped each piece in his drink, as if to demonstrate an act of defiance and disdain at a robot creating a robot band and kicking the artist out of his arty processes. AD2023 was also concerned about the future of media and journalism; any number of fake scenarios could go out with photorealistic AI dark web wizardry. “Is there not a board of ethics by now?” 

The other side of the AD2023 coin is that his responses for his new strand of art, is causing quite a stir. 

The other day AD2023, while musing in Powis Square, it recreated the Royal Pavillion as a piece of digital art, with colourful Dotty designs on the side. This caused a class war debate on the Facebook page, Keep Brighton Weird, proving if nothing else, that there’s still life in the old prankster. 

Matthew Marke’s West Hill Cautionary Tales – Oct 2023 

The last time I cooked for Lee Marvin, we ate snake. I was sceptical. He was adamant. As ever he was right, the reptile was excellent. But then it would have to be, if it were to be cooked for one of the greatest men of the 20th century. Actor, lover, fighter. Man of action. Man of few words. 

Every man alive, without exception, secretly wishes he were Lee Marvin.  

The day I cooked for him, we were riding the sierra that ran through his ranch. He was an incomparable caballero. He could do anything on a horse. He taught me to ride and whilst I can handle myself, I will never come close to his horsemanship.

We had started at dawn, after a breakfast of beans and coffee and stopped every so often, dropping from our horses, fully clothed, into the cool, clear water that pooled in the bends of the creeks we passed. It helped wash away the sweat of the long riding and nights of heavy drinking under stars that were engaged in celestial shootouts.

The sun was getting low in the sky and I watched as he leaned down out of his saddle, fully extended his arm and picked up a stone the size of a wolf’s testicle. He hoisted himself back up and twisted round and threw the stone straight at me. 

Luckily, he wasn’t actually aiming at me. He was aiming at a snake in a tree we were passing. A diamondback, he told me later. 

Nasty snake, bad bite – was how he put it.

He hit the snake fully on the head and killed it outright. 

He drew to a halt and dismounted, walked over and toed the inert, defunct mother of all sin. As soon as the boot made contact with the snake, it sprang back into action. Not to back life, just action. It was writhing and convulsing but he simply pinned the snake to the ground just behind its head with his boot. He slowly withdrew a knife from within his clothes, crouched down and cut the snake’s head off. 

He lifted his boot but it still jumped and writhed. It reminded me of the way chickens run around when decapitated, seemingly trying to escape the end that they had already met. He picked it up, put it into a sack. 

‘Sorry kid, you’re cooking,’ he said, handing me the sack.

An hour later, we made camp next to the creek and I began to get ready for the night – a night with Lee Marvin was never predictable and was often quite hard work. Particularly the next day. 

I waded into the water and removed the snake from its sack. I was fairly appalled to see that it was still moving. Not so vigorously, but writhing nonetheless. I took out my knife and made a small cut in its skin, enough to be able to peel it back. I bit down on the fleshy, bony stump where the head used to be and pulled the skin off its body. Still the creature writhed, but slowly now, like a dancer using his arms to pretend to be a snake. 

I washed the skin before turning it back, right side out. When I had finished I hung it to dry from the limb of a tree that was overhanging the river. I still have the snakeskin. I keep it on the dashboard of my car. I then washed the snake in the cold water. Finally it was inert, a good couple of hours after its death. 

I walked back up to the fire wondering how I was going to grill it, when I saw him coming towards me with the branch of a tree, cutting away its limbs. What now? I thought and took a step back. But all he did was to take the snake from me and lay the two things alongside each other, near the fire. 

‘Wait,’ he said, and disappeared into the woods.

So I waited. It started a couple of minutes after he reappeared carrying a bundle of leafy oak cuttings. “It” was the unaided union of the snake and stick. Right there on the ground by the fire, the snake began to move once again. It twisted its rattle around the end of the stick and curled and rolled until it was completely corkscrewed around the stick’s length. 

‘Shit,’ I said. 

‘Yep,’ he said, and threw the cuttings on to the fire. 

He sat with his arm out straight, holding the weird snakestick in the smoke just above the heat, whilst he went into a monologue at full volume about a night’s drinking with Bob Mitchum and some French sex workers, only he didn’t call them that, in a town he claimed had been liberated by the two them at the end of the war.

He talked for half an hour without pausing, without even seeming to draw breath, all the while feeding the smoke and holding the snakestick in it. He finished up by saying  ‘Okay, now you,’ and he handed it to me.

I poked about in the embers until I had them nice and white with a red glow beneath. I put two rocks about a foot apart in the fire and laid the snake across them, turning it every minute or so. Juices dripped on to the embers and hissed. 

Its flesh, a pinkish white to begin with, had now turned a beautiful, golden brown. It smelled good. 

I pulled the stick out of the long coil and cut it into two halves and we ate. 

Snake is just one long spine and ribs so it can be tricky to eat if it’s thin. But this was a diamondback and about four foot long and weighing five pounds or so. We could pull off whole hunks with our teeth. It was young so its flesh was reasonably tender for a creature that is all muscle. 

I sat chewing, thinking about its flavour. It tasted like mackerel. And we were about 400 miles from the sea.

Mr Marvin liked it. He didn’t say as much. In fact he didn’t say anything. I could just tell he was enjoying it. Every now and then he would shake a few drops of Tabasco onto his next mouthful and chew it slowly. 

He wiped  his mouth with his sleeve as the last mouthful went down. ‘Right, I’m ready.’

The sun had gone down.

And the drinking began.

You can find Matthew Marke’s killings every Tuesday at matthewmarke.substack.com

Lost for somewhere to go?

We love The Lanes with all its nooks and crannies and jewelery shops and maybe the odd tourist, but it’s easy to get Lost In The Lanes. And that’s a terrible line about a very nice place. Food editor Gilly Smith found out more

LOST in the Lanes has been a bit of a tranquil refuge in the middle of tourist Brighton, a place for a coffee and a sit down away from the buzz since it opened in 2017. But who knew that its owners were all about local produce, that it had sustainability at its core? 

Since August, its launch of LOST Nights has been showcasing an evening menu, plucked from Brighton’s natural pantry, with meat from the South Downs, fish from the day boats, dairy from our neighbours at Downsview and wines from Wiston, Stopham and Hallgarten. 

Owner Natalie Demetriou and chef Sophie Taverner are keeping it simple and slow, evolving it gently to keep its values at its heart. One day, all restaurants will be like this. I asked chef, Sophie Taverner why local sourcing is so important to her.

“The reasoning behind keeping a short and changing menu in the evenings at LOST is that it really allows us to work closely with local suppliers and make the most of produce when it is at its peak. 

“Sourcing locally isn’t just an ethical choice but also means getting the best produce at the peak of its flavour. Part of the ethos we have built is grounded in excellent relationships with suppliers who will tell us what the best catch is coming in off the fishing boats, or they’ll send us a message when new crops are being harvested. It means being able to put food on a plate that has been harvested that same day which then allows us to create menus that really showcase those ingredients”.

Tell me about your favourite local product right now and what you love to make with it.

“Right now we are coming to the end of the season for the most wonderful Culver corn from Culver Farm in Sussex. It is exactly what corn should be, so sweet and fresh with a perfect crisp to it. We have been serving it as fritters with a chilli vinaigrette, keeping it simple to allow the flavour of the corn to really shine through. It is also the most amazing time of year for fruit and we have strawberries, raspberries, redgages and damsons dotted around the menu and plans for preserving so we can also enjoy these later in the year. Part of really working with the seasons is thinking ahead to what we can make into jams or ferments so that in those months where less is growing, we have stores of things that can add some interest to our menus”. 

How do you let your customers know how much care you put into sourcing well? 

“We keep telling our story and reflecting our ethos in the menus we are creating as well as constantly highlighting our suppliers and the work they are doing. Shrub, who are our produce supplier for LOST Nights, work with small organic farms to get their produce to restaurants like LOST and that means we know exactly where our produce is coming from and who is growing it. That kind of transparency we hope will translate in what we are doing and is something that customers increasingly value. 

What’s the stand out dessert on the menu right now? 

“Like the rest of our menu, our desserts change regularly to reflect the seasons and what´s coming from the farms. This week’s standout favourite was fresh Sussex poached quince, baked cream and almonds. The quince right now is perfect and sits so well to balance out the tart sweetness of the lemon. It was so good we might keep it on for another week”.

Lost In The Lanes, 

10 Nile St, BN1 1HW

01273 525 444 

Brighton’s new Sea Lanes

At 6am on a bright sunny morning in late May this year, I joined a gathering of excited Brightonians in the line to try out the water at the new Sea Lanes for the first time. I left an hour later slightly astonished. Looking around like Alice in Wonderland at the setting I had to pinch myself. 

When we first moved ‘down from London’ seven years ago, I insisted that I had to be able to see the sea from the house. I thought that I would buy a wet suit and a dry robe and immediately morph into a near-fish-person at one with the ocean I’d made my neighbour. I would be one of Brighton’s swimmers. That didn’t happen. Instead as a freelancer trying to work, commute, settle our family in, sort out our damp and crumbling house, the years passed… I never did get that dry robe (Ed: quite right too)

Bubbling along since we arrived has been this talk of a beach pool down at Black Rock – a regeneration project around the old Peter Pan Park on Madeira Drive. It wasn’t an area of Brighton we often went to. For us, it was a case of turning right at the sea, walking to Hove Lawns or further along, with our dog and our kids and friends. 

Planning issues seemed to dog the project. Every so often there’d be word that there were plans. There would be the odd mention in the paper. Then… nothing. Would it ever happen? Nay-sayers galore doubted it. And then in 2021 after vast negotiations with the council and local heritage and resident groups, the plan got its permission. It turns out that surely and steadily the main players with the vision for the pool were working away to make this dream come true. 

Immense challenges to the building process itself were an ongoing battle none of us knew about. 

While we all were grumbling because well you know, it’ll never happen, it’s pie in the sky, good things like this never come off – the project team dealt quietly with the delicate removal of huge concrete slabs, ever so gently so as not to de-stablise the terraces, issues with materials for the carbon-neutral structures (pandemic legacy too) and terrible weather conditions – all huge hurdles to the build. The changing rooms are made of materials that come from unrecyclable plastics like toys, make up, flip flops, bottle tops… and they have tried to ensure the place is future proofed too – when hydrogen power arrives, the Sea Lanes can switch, everything is in place. And it’s a triumph. 

The National Open Water Centre – aka, The Sea Lanes – conceived as “a stepping stone into the sea” has for the past three months never failed to deliver pure joy. The water sparkles and welcomes you in from 6am to 9.30pm during the week, a little earlier closing time on weekends. . And when it’s stormy, the water whips up little choppy waves to remind you where you are and make you work a little harder.  

When you stand in those changing rooms the stickers telling you about the fact that they’ve used stuff generally headed for land-fill to make the doors and benches is somehow incredibly reassuring. Big smiles are exchanged, little chats about the water temperature (it’s been matching the sea all summer and will be between 15 and 19 degrees in the winter) and where someone got their wet suit… “What will you wear in the Winter?” “Do you have a spare hat I can borrow?” “Have you seen my new heads-up-display goggles?” “The wind’s up today, it’s a real work out in there!” “The water’s crisp this morning!” “This place makes me happy”.  

I think we recognise each other now by our tattoos or our hats – these became mandatory (hats not tattoos but I’m considering a fish one since you ask)  in August and after a few furrowed brows I think really no-one cares. It’s kind of nice. I put on my swimming hat and I feel even more in character as the Brighton swimmer of my dreams. 

-Hat-Guy said “Hello” this morning. “Not seen you for a while, I always know you by your tattoos! Everything OK?” “Yes”, I said, “just been in Cornwall for the weekend”. And off we swim. 

There are lockers and showers beach side that are free for sea swimmers to use and there’s a smooth pathway to the sea to walk down without suffering Brighton’s pebble agony. You can always buy some water shoes at the lovely Paddle People shop and a coffee from Fika afterwards. Pop up to Photomatic for a picture to take home or investigate the myriad gym, yoga, sports massage, fitness outfits that have set up shop inside the 27 carbon neutral units. There’s even a little ice-cream parlour. It’s the home of swim-adventurers “Swim Trek” who offer an ‘endless pool’ approach to swim technique training, where you swim, resistance style, on the spot while an instructor shows you to adjust your technique and breathing til you able in the big pool. 

I did those very same lessons when I realised that in order to be that swimmer I’d always hoped to be I HAD to learn to crawl because… The other thing about the pool is you quickly realise 50 meters is BIG. Now I can swim a daily kilometer freestyle easiy. It’s really ALL about the breathing. Isn’t everything? 

What had been imagined as a bright and colourfully decorated complex initially has been realised – post public consultations – with a more muted colour-palette to better compliment its setting against the terraces of Madeira Drive. A good decision, I think, when you stand and look at it. And that’s often what I do. I stand on Madeira drive and marvel at this lively, vibrant, positive, hope-filled place. The colour is brought to the place by the busy-ness of the businesses, the happy people waiting for coffee, breakfast, lunches or a beer in the evening sunshine. Dogs, stand up paddleboards, runners, walkers, kids, kites, bikes and yes, brightly colour swimming robes. Possibly also dogs-in-swim-robes.

“Yellow Wave” started it with their lovely beach volleyball set up and fab café but Sea Lanes pool and it’s village are the cherry on the cake. It’s a world class undertaking, you feel like Brighton is really showing off. Loving its beach, loving its seaside setting, loving its people actually and delivering aspiration that’s achievable. Grumblers say it’s just another members club – it really isn’t though! You can swim as a non-member but it just makes sense to join – like I did at my local pool. It’s just a few pounds more and a million miles away in terms of spiritually delivering just what I need. They even run a monthly beach-clean with a free coffee at the end of it.  People are starting to gather here and we all need this as a community of human beings, places to gather that make us feeling hopeful. 

The water ALWAYS lifts my spirits – get into the blue to shake off the blues I always say to myself – it connects me to not only myself, my ability in the water, my sense of strength and presence but to the other smiling people I share the pool with. And that is more important now than ever it was. 

There’s now a reason to turn left at the pier. 

I think we recognise each other now by our tattoos or our hats – these became mandatory (hats not tattoos but I’m considering a fish one since you ask)  in August and after a few furrowed brows I think really no-one cares. It’s kind of nice. I put on my swimming hat and I feel even more in character as the Brighton swimmer of my dreams. 

Yellow-Hat-Guy said “Hello” this morning. “Not seen you for a while, I always know you by your tattoos! Everything OK?” “Yes”, I said, “just been in Cornwall for the weekend”. And off we swim. 

There are lockers and showers beach side that are free for sea swimmers to use and there’s a smooth pathway to the sea to walk down without suffering Brighton’s pebble agony. You can always buy some water shoes at the lovely Paddle People shop and a coffee from Fika afterwards. Pop up to Photomatic for a picture to take home or investigate the myriad gym, yoga, sports massage, fitness outfits that have set up shop inside the 27 carbon neutral units. There’s even a little ice-cream parlour. It’s the home of swim-adventurers “Swim Trek” who offer an ‘endless pool’ approach to swim technique training, where you swim, resistance style, on the spot while an instructor shows you to adjust your technique and breathing til you able in the big pool. 

I did those very same lessons when I realised that in order to be that swimmer I’d always hoped to be I HAD to learn to crawl because… The other thing about the pool is you quickly realise 50 meters is BIG. Now I can swim a daily kilometer freestyle easiy. It’s really ALL about the breathing. Isn’t everything? 

What had been imagined as a bright and colourfully decorated complex initially has been realised – post public consultations – with a more muted colour-palette to better compliment its setting against the terraces of Madeira Drive. A good decision, I think, when you stand and look at it. And that’s often what I do. I stand on Madeira drive and marvel at this lively, vibrant, positive, hope-filled place. The colour is brought to the place by the busy-ness of the businesses, the happy people waiting for coffee, breakfast, lunches or a beer in the evening sunshine. Dogs, stand up paddleboards, runners, walkers, kids, kites, bikes and yes, brightly colour swimming robes. Possibly also dogs-in-swim-robes.

“Yellow Wave” started it with their lovely beach volleyball set up and fab café but Sea Lanes pool and it’s village are the cherry on the cake. It’s a world class undertaking, you feel like Brighton is really showing off. Loving its beach, loving its seaside setting, loving its people actually and delivering aspiration that’s achievable. Grumblers say it’s just another members club – it really isn’t though! You can swim as a non-member but it just makes sense to join – like I did at my local pool. It’s just a few pounds more and a million miles away in terms of spiritually delivering just what I need. They even run a monthly beach-clean with a free coffee at the end of it.  People are starting to gather here and we all need this as a community of human beings, places to gather that make us feeling hopeful. 

The water ALWAYS lifts my spirits – get into the blue to shake off the blues I always say to myself – it connects me to not only myself, my ability in the water, my sense of strength and presence but to the other smiling people I share the pool with. And that is more important now than ever it was. 

There’s now a reason to turn left at the pier.

By Ceri Barnes Thompson

Sea Lanes Brighton, 

300 Madeira Dr, Brighton BN2 1BX 01273 044163

http://www.sealanesbrighton.co.uk

Membership is from £50 per month

The grand old Duke of Welly

It’s been up a bit and it’s been down a bit, but it’s not been out, and now a fresh breath of air is flowing through the Duke of Wellington 

“Well, my ex-husband died in April, not this year, last year. Six months later, I collapsed beyond the bar, had a heart attack, which scared my children. I’ve got son and a daughter who are grown up. They lost their dad, and six months later, I thought they were losing me. So this is my compromise. 

I’m sitting in the Welly and Cheryl West, the new-ish landlord – landlady? landperson?? – is telling me her story. It’s a bit of a story. 

“I’ve been running pubs for over 20 years, pubs and nightclubs. Pulled my first pint when I was 17 which is, I was working it out this morning, is… a long time ago.” 

A long time and a lot of bars ago. We go into Cheryl’s story, a story that takes us from Islington in London to Northampton to Chingford to Luton to London again, taking on pubs, clubs and a Caribbean restaurant. “Then after 12 years, I decided I wanted to get out of London, so I joined a pub management company as a holder…”

What’s a holder?

“You go around, holding pubs, covering pubs until a full-time manager moves in.” Fair to say, Cheryl knows hospitality. And since April, she’s been holding The Welly. 

“I didn’t really know Brighton much but I’d only heard good things. I’d seen this place and it was a smaller place, which I needed after the heart attack, and it’s by the coast which I love and… ”. A lot of boxes ticked. “Yes, there were a lot of signs pointing in this direction. Also, there’s no food involved. Doing food in a pub is really hard work and since Covid, it’s much harder. Since Covid, everything is much harder”.

Did it matter, I wondered, that there were so many good pubs within a stone’s throw?      

“No, not really. We all support each other and we’ve all got different strengths, we’re all known for different things. And we’ve always been known as a sports pub and we’ve got the pool table which is very popular and the pool team’s doing very well, but we all get on very well. I talk to Hatt from The Eddy a lot and when I first came here, Mark (Reed, from The Eddy) was one of the first people to come in and say “Hello”. If one of us is short of something, gas for example, we’ll just pop into our neighbours and borrow it”. 

Talking of neighbours… not everyone has been so happy. “I’m struggling with music here to be honest. I love live music. But since I’ve been here, I’ve put on three events on a DJ night. I had to do karaoke nights, the last one being Saturday. Every time we’ve put on music events, there have been complaints.” 

I’ve never really understood why anyone would move next to a pub and then complain about the noise. But then maybe some people just like complaining. 

I grew up around music, reggae mainly, that’s my genre. Old school reggae.”

Old school reggae? We’re going to get on just fine. Who are we talking? John Holt?  

“John Holt, yes. Carol Thompson’s a friend. Janet Kay’s a friend, too”. 

Janet Kay? Oh, get Janet Kay down. We can all come and sing along to “Silly Games”. That would get the upset neighbours properly, a gaggle of happy punters trying  to reach those high notes. Cheryl’s not so sure. “I don’t understand it. The music stops really early…” 

So a few grumpy neighbours aside… “It’s going really well. I thought coming down here would be like semi-retirement, and it was supposed to be my compromise with my children. My son wants me to retire. But I’m not ready yet”.

Sam Harrington -Lowe – Oct/Nov 2023

The season of mists and all that jazz firmly divides opinion, I have found…

There are those that welcome its gentle cooling, its falling leaves, its lazy sun. The snuggly appeal of fires and warmer clothes. Halloween parties, hot chocolate, and the rich colourful tapestry of nature. You know these people. They’re on social media a lot.

And then there are people like me. I’m not awfully keen, shall we say? It feels like death looming. I hate woollen clothes. They make me itch. The days are shorter, the bleakness is around the corner. Everyone talks about stupid bloody Hygge until my eyes glaze over with IKEA fatigue. Even hot chocolate makes me feel gaggy.

I can’t be the only one? There must be other people out there for whom autumn feels like the beginning of the end? Here are some of my (least) favourite things about the season.

Is it a turd or a leaf? Ah, the seasonal guessing game. For a dog owner like me this is a double-edged sword. Not only might I tread in a turd, thinking it to be a leaf, which is never a good thing. But I also find myself searching blindly – in leaves – in the general area that Alice has visited, desperately trying to find… well, you know. Add wind and rain to this search or squelch, and I’m pretty much ready to murder someone.

I also hate the darkness. By all that is holy I hate the short days. Not so long ago I was waking at 4-something to see the warm pink of dawn. I slid from my bed bathed in the happy glow. 

Now I’m up at 6am or thereabouts, full of hate, and it’s as dark as midnight. It might as well BE bloody midnight. And then more darkness at the other end of the day, coming increasingly closer. BRING ME THE LIGHT, dammit. Not the SAD light though. That’s just weird. I’d rather be depressed.

Hearty behaviour. Oo look, another thing that could drive me to murder. People being hearty and cheerful. Getting all togged up in stupid hot clothing and doing bonfires and ghastly marshmallows. Capering around having a nice time, dressing up in fancy dress like toddlers. Or getting excited about a soup they made. Actually I do that, to be fair, I love soup. The rest of this heartiness though? Stop it. You’re not five.

And as for the ’Russian Roulette’ pedestrian. I see you, standing there at the kerb at the end of a long day, ready to die in front of my car as you dash out to cross the road in mad traffic, far from the safety of pedestrian crossings, traffic lights or Belisha beacons. Or rather I DON’T see you, because you’re an idiot dressed head to toe in dark clothing in the pouring rain. Darwin Awards at its very best. Do you have any idea how invisible you are? No? Idiot. 

As far as I’m concerned, autumn also heralds Christmas on the horizon, which I’m also not terribly keen on either (more heartiness. And charades! Argh). 

As soon as the first leaves start to fall, it feels like a countdown to the darkness, and a long stretch to springtime. I live for the winter solstice and the turning point as the days get longer again. I pray for snowdrops, and daffodils. And right now they seem a long way off. 

Best I go and have a nice hot bowl of soup to warm up. Bah.

Sam is founder and Editor-in-Chief of Silver Magazine – for the mature maverick

http://www.silvermagazine.co.uk

Editorial – Oct/Nov 2023

Life used to be so much simpler than it is today. For example, the first job I ever had was in a shop called Stamford Hill Stationers and it was called Stamford Hill Stationers because it was a shop selling stationery in a place called Stamford Hill. It was a curious shop, not very big and full of… just magic. 

It was a while ago, long before all this new fangled tech stuff we surround ourselves with now had even been dreamt about, and I loved stationery – which sounds an odd thing to say, but it’s true. Basildon Bond note pads with a sheet of carbon paper at the back. Blue note pads. Parker fountain pens that had little pipettes inside that sucked up the ink from the little pots of ink. But we sold all sorts of stuff. There was much excitement one week when we took delivery of the then new Bic disposable lighters. Terrible to admit, but I tea-leafed a handful and swapped them with Russell Roberts, who was working at Lord John where there was this pair of trousers… Kids, huh. 

Anyway, I was thinking about Stamford Hill Stationers because, well, in the back there was a “staff room” where you could put your coat and if you were a bit more grown up, make a cup of tea or something.(Why you’d do anything like that when there’s a Wimpey bar round the corner…). In the staff room there was a poster that said “The customer is always right”. And then underneath that, it said “Even when the customer is wrong, the customer is always right”. Life used to be so much simpler than it is today. 

Nice look” said the bloke at the entrance to Dick’s Bar at the Amex. “I always like to see what you’re wearing”. Since you asked,  – double breasted brown corduroy suit, black beret, tan and white co-respondents. I like suits. I like wearing suits. I like wearing nice suits. I could never get my head round “casual” clothes or “streetwear” or whatever. Why would you wear a tracksuit if you’re nowhere near a track? No one is going to call you “Dapper” if you’re wearing a hoodie from Gap. No. You wear a suit. A good, well cut suit. 

There aren’t many downsides to wearing good clothes, but you do need to look after them. You’re not going to put double breasted brown corduroy suit in the washing machine, are you? You’ve to go to the dry cleaners. And so it was that in the summer I took a fine cream linen whistle to my local dry cleaner – I live very close to Powis Square. Handed it in. Had a chat and, yes, Thursday for pick up is fine. 

I went in Thursday for pick up and… It was odd. The jacket was still a cream colour but the trousers had been completely discoloured. They were now white. What had been a very nice cream linen suit was now… not a suit at all. I pointed it out to the very nice woman working there who was sympathetic and gave me the email of the owner and… 

I’m guessing she never worked at Stamford Hill Stationers. She refused to talk, she would just email, and she proceeded to give me a lecture on the processes of dry cleaning (which, as a friend said, was ironic; if she knew so much about dry cleaning how come she ruined the suit?). It wasn’t a great conversation. After a series of emails, I contacted the Citizens Advice Bureau (nice people and sympathetic but ultimately couldn’t do anything) and she ended up threatening legal action if I wrote about it. Customer service aside, threatening a journalist is a bit silly, but… hey ho. 

I tried to explain that I’ll no longer take anything to her shop, not because they made a mistake with my suit – they’ve been really good until now and, look, it’s not the end of the world. We all make mistakes, we all do things that don’t turn out how we want and besides, now I’ve got an excuse to buy a new suit – but because she was so lacking in grace and courtesy. I just don’t want people like that in my world. If you make a mistake you say “That’s really terrible. I’m really sorry”. And that’s it. Maybe they could offer a free something. It shouldn’t be a drama. 

Maybe if you went to Stamford Hill Stationers now there’d be a sign in the back room “The customer is a bit of a nuisance and if they ever complain, threaten them with legal action”. Maybe. But I doubt it. Life used to be so much simpler.  

Bring Your Own Baby

To find out more, visit https://byobcomedy.com/?fbclid=IwAR0UdaFKN2blNKjcdcQgPG5_I0Xl95fA3DseVWjHUl_iE2nT3ySvPb4_upI.

Cinderella’s the Xmas panto (Oh no it isn’t… )

Sorry – you have to write things like that. Nadia Abbas reports on the Christmas panto at the Metropole

The fantastical tale of Cinderella, with its shimmering glass slippers, magical fairy godmothers, and wicked stepsisters, has been a family favourite for decades. Brighton residents now have the chance to experience this classic story on stage as the Cinderella pantomime is being performed at the Hilton Brighton Metropole this December. Adults, children, and Disney fans will be able to watch Cinderella’s delightful adventure as she transforms from a mistreated maid into a beautiful princess fit for a prince.

Cinderella will be performed at the Double Tree by Hilton Brighton Metropole on the 20th-30th of December 2023, and features a stellar cast, including BBC Sussex presenter Allison Ferns, who will play Cinderella’s evil stepmother, Baroness Hardup. drag icon Miss Jason (Jason Sutton) will be playing villainous stepsister Sindy, Kane Matthews will play Prince Charming and Ellie Earl takes the lead role.

David Hill, the producer of this pantomime and the founder of Brighton-based event company E3 Events, said: “The audience can expect big song and dance numbers, lots of slapstick, lots of fun, lots of booing when the villains are on, and obviously dazzling costumes”.

This pantomime will follow the traditional story of Cinderella, but there will be some exciting, modern twists to this iconic fairy tale. This includes the addition of Dandini’s character, who is Prince Charming’s trusty sidekick, who was not in the Disney film. There will also be an adults-only performance of this pantomime on the 28th of December at 8 p.m. David Hill, said: “The brief to the cast will be to deliver the same show, but we will give them license to be a little bit more creative and rude in their language. It will be a lot of fun.”

Ellie Earl said: “We’ll rehearse pretty much full-time for about a week and a half. It doesn’t sound like much, but when it’s all day every day, it’s going to be quite intense.”

The panto also plans to support local charities with its performances, including the Focus Foundation and The Sussex Beacon. “It’s an opportunity for us to give a little back”, said David Hill. 

To find out more, visit https://www.brightonfamilypanto.com/

Review: Dexys at The Dome

We’d just finished another year at Manchester Polytechnic and summer was staring at us. Before heading to our respective homes, a few of us went up to Newcastle for the weekend to visit a friend. We saw a sign “BBC Radio One Roadshow with Dexys Midnight Runners”. What to do? We were very cool, I mean very cool, and a Radio One Roadshow? Seriously not cool. It was probably introduced by Richard Skinner or, I don’t know, Peter Powell or something. And it was in a tent. I know. A Radio One gig in a tent. You’d think we were going to see Nik Kershaw or maybe Howard Jones. But it was Dexys and we loved Dexys. So we went. And it was extraordinary. It was so extraordinary it was released as a CD in 1995. The shock of the power of the horn section, the passion and emotion of the songs, the everything of Kevin Rowland. Back then, pop music was about synths, about artifice, about dressing up as a pirate or a Pierott clown. Dexys were about horns, about soul, about passion.  

That was June 1982 and Kevin’s outfits have changed a few times since then, but the fashion for passion has never wavered. Time’s passed but they – he – are still extraordinary. And last night at The Dome was just as extraordinary as ever.

A homecoming gig – Kevin lives down here, don’t you know – this was as much a celebration as anything – celebrating the history of the band and the audience, celebrating the songs, celebrating survival. The night was split in two halves: the first given over to the new album, “The Feminine Divine”, the second a run through of the old. Playing your new album which probably no one’s heard for the first hour of a gig, it’s asking a lot and is at the same time fantastically ambitious and arrogant. So far, so Dexys.

“The Feminine Divine” is as ever a step away from the expected which is, I guess, the expected. A treatise on Kevin’s relationship with women and how it’s changed, played live it’s stripped back, theatrical (between each song there was a ‘dramatic scene’ between band members Rowland, Jim Patterson, Sean Read and Michael Timothy), less horn more synth. Dressed in a dark blue pantalon suit, white beret and striped t-shirt (you know these things are important), Rowland held the stage, his voice at 70 still really strong and still carrying that familiar plaintive soulful plea.

While the new songs held up, the place really came alive during the second half when the lights came up, the horns came out to play and, standing on the balcony, he started up

“I won’t need to think of nice things to say,
I don’t want to want this way anymore,
Shh now and hear comes silence,
from this comes strength I promise”

which led, naturally, to

“You’ve always been searching for something…” from 1982’s “Plan B”. And on it went. “Geno”, “Jackie Wilson Said” (complete with backdrop of Jocky Wilson), “Until I Believe In My Soul” through to the much loved but rarely played “Tell Me When My Light Turns Green”. As the lights came up, there wasn’t a dry eye in the house.

photo: Sandra Vijandi

The Return of Dexys

If there’s a finer sight in Brighton than seeing Kevin Rowland, resplendent in his dapper finery, out and about, it’s seeing Kevin on stage – equally resplendent in much the same finery.

Around this time last year,  we were robbed of seeing Dexys on stage after Kevin had a motorbike accident, but – it never rains but it pours – now we’ve not only got a new Dexys album, “The Feminine Divine”, but we’ve also got a tour – dates are available but the relevant one for us is next Tuesday (Sept 19th) at The Dome.

“The Feminine Divine” is as ever a step away from the expected. Written with original Dexys trombonist Big Jim Patterson (a non touring member), the first half is all music hall swagger. Lovely but not a million miles from what you might figure. The second half though… Co-written with Sean Read and Mike Timothy, it’s a synth heavy cabaret, described as “steamy, fizzy and sultry”. Keep moving, keep running, keep changing. Can’t wait.

https://brightondome.org/

Skip Kelly – Bazball, schmazball

I may be the first sports writer who’s willing to admit that I am not that good at the sport I write about. This possibly isn’t news to anyone who has seen me play football, but recent advancements in modern technology such as the video camera have enabled yours truly to watch games I’ve played in and finally understanding why I quite often didn’t play the closing stages of games. Or the opening stages either. 

It raises interesting questions around perspectives in grassroots sport because before the advent of video evidence, I was convinced I was playing exceptionally well and was harshly substituted and although I rarely challenged the coach understanding they had decisions to make. (The few times I have been recorded serve a similar purpose to Colonel Nathan Jessup in A Few Good Men by screaming “You can’t handle the truth.”)

Similarly, I’m not the first sports writer to have outlandish opinions about a sport I know very little about. I have never once picked up a cricket bat, but it is my steadfast belief that if I did and could be bothered I would be one of the finest batsmen the world has ever seen. People often say they would love to see me deal with a ball traveling towards me at up to 80 miles an hour and my response is I would simply just whack it as hard as I could. This was often met with uproarious laughter like every single one of my anecdotes. Those of you that have played cricket may scoff and spit out your tea and scones having read that but I have played hurling – Ireland’s bat and ball game in which everyone carries a stick at all times and striking the ball unopposed like you do in cricket is a pipe dream. 

Some may question if I claim to be so good at cricket then why don’t I make a lucrative career out of it. The main reason being I am not motivated by money, I am motivated purely by Montpelier Women’s Football Club. The other thing is I don’t want to travel as much as any top class athlete has to and although there is travel involved with MVWFC it never takes up any more than a day of traveling.

You never truly know what someone thinks of you until you die and all those lovely things are said about you at your funeral but I have found a shortcut with cricket fans. I simply offer my opinion on how good I am at cricket and what I get in return is a summation of my personality. Recently someone agreed with this and pointed out that I would take great pleasure in winding up bowlers by staying in for as long as possible. Which takes us to the current Ashes series – or, by the time you read this, the last Ashes series – which has been incredibly entertaining and equally vindicating. Although as a coach I understand a defensive style and the importance of staying in for an extended period of time, where’s the fun in that? I’ve always enjoyed coaches whose modus operandi is to win in the most entertaining way possible and Brendon McCullum certainly falls into that category because, although there is a thinking that all sport is a results based business, I couldn’t disagree more. The verb used to describe sport at all levels is play and with that there are connotations of being child-like and free from the realities and responsibilities of the big bad world. We play sports to exercise, to socialise and to entertain ourselves and others. There is something incredibly beautiful about athletes at the pinnacle of their career being reminded of this and being told to just whack it as hard as you can.

Night Shift bar

They’re a smart lot over at the Flour Pot bakery in Seven Dials. Marching steadily but sassily across the city, from Sydney Street in 2014 to Elm Grove to Fiveways, zigzagging back to First Avenue, they sashayed in to Seven Dials in 2017. Bringing us unbeatable bread and a coffee culture that spread onto the pavements and into a reclaimed secret garden, wherever the Flour Pot went, we followed. 

They were even among the leaders in the hospitality revolution during Lockdown, swivelling their business plan when all doors were closed to scoop up the smallest but greatest local suppliers – Gunn’s the Florist, Smors hummus, cheese from the Cheeseman and Curing Rebels charcuterie – in a genius home delivery service.  

And so when Small Batch was suddenly gone, leaving landlord Pembertons a vacant space until October when they can issue a new lease, Flour Pot boss, Oli Hyde spotted an opportunity. “I decided that if we could put together a crack team of local businesses, The Flour Pot, Curing Rebels, Curio Wines, a local artist called She Paints, we could create a collaborative space here.”  In partnership with Pembertons, Night Shift was born. “We asked ourselves; ‘what would the Flour Pot be if it was open at night?’” he said. “I don’t know what the future holds, but it seemed an absolute crying shame having such a site like this empty for that period of time.”

When we met, Night Shift had been open just three days, but already the locals were pouring in.  Oli, who started his hospitality days at Terre a Terre in the 90s, moving to Sam’s in the heydays of the Dials, through clubs like Audio and Excape and on to the Mesmerist, knows how a thing or two about the night shift. “I think this is a lovely idea’ he says. “ It’s just early evening Wednesday to Saturday, closing at 10 or 11, depending on the numbers, and offers a local British charcuterie, a terrific wine list and local art on the walls.”

Gilly Smith 

Conservation Matters – August 2023

Blue Plaque for Buckingham Place

In June our newly elected Mayor Cllr. Jackie O’Quinn unveiled this memorial at no. 7 Buckingham Place to a painter who was born and educated in Sussex and who distinguished himself as a marine painter but who was also an accomplished musician who played for many years in the orchestra of the Theatre Royal in New Road. His painting of “HMS Vengeance at Spithead” hangs in the Royal Pavilion whilst his painting “Queen Victoria Landing at Brighton” is in the collection of the Brighton and Hove Museum. Among the guests at the unveiling were relatives of the artists including Captain Brian Nibbs, a distinguished master mariner whose long service in the Royal Naval Reserve earned him the Reserve Decoration (and bar). No. 7 Buckingham Place is part of a group of terraced properties (no. 5 to no.19) which are listed Grade II and which date from about 1845.

Multinational advertising giant wants more of the pavement.

The world’s biggest outdoor advertising company JC Decaux has launched an appeal against our Council’s refusal to grant planning permission for a “Telecommunications Hub” on the pavement in Queen’s Road. The site is adjacent to the West Hill and North Laine conservation areas. The City Council have given two reasons for its refusal. Firstly, the inclusion of a large digital screen to one side and functional appearance on the reverse side featuring telephone, communication hub and defibrillator, would create additional street clutter and be an incongruous addition causing adverse harm to the visual amenity of the area. Secondly the proposal would be contrary to Brighton and Hove City Council’s Local Cycling and Walking Infrastructure Plan and highways policies by reducing the footway width and reducing the unobstructed/clear available footway capacity in an area that is considered very congested. 

Some local residents have also objected to yet more digital advertising being thrust into our faces. I have considerable sympathy with this view having recently travelled on the top deck of a Brighton bus where I hoped to enjoy a view through the front window; only to be confronted by a digital screen flashing adverts at me instead!                                                                                                              

Jim Gowans

Sam Harrington-Lowe buries the hachet

Funny how you can think that because you’re good at one thing, that you might be good at another, only to find that you’re crashingly hopeless. I’m a good pool player, for example, but my golf game is dire, despite me assuming that balls in holes is balls in holes. With golf I have the odd amazing shot, but generally I’m slicing balls into forests and throwing my clubs in the water. But with pool, I’ve actually been warned off a winner-stays-on pub marathon in Scotland. “Ye better no win the next one,” cautioned an auld fella. I hadn’t even realised there were disgruntled Scottish heavies lined up scowling at the English bird who was making them all look silly. Anyway, I digress, sort of.

I’m a crack shot at clays – genuinely, I hardly miss a single one – and I love shooting. So I just assumed I’d be really good at axe throwing. Yeah, I said axe throwing, and yeah, I was absolutely dreadful. I took the Silver team there for our summer do. Thankfully we had cocktails afterwards, not before. And some of us were terrible, and some were just brilliant. I would say I was just below ‘Astoundingly awful.’ (Don’t even think about it, Lezard. A “Team outing” here is half a shandy and a bag of cheese’n’onions at The Eddy).

Despite the best efforts of the lovely Viking (Ben from Newcastle, resplendent with red beard and long hair and huge muscles who was coaching us), I was, on the whole, really a bit rubbish at axe throwing. A bit like golf, actually, I got the odd one in. And it’s very satisfying when the blade THUNKS into the wood. But mostly I watched, helpless, as the axe went rogue, splintering things and smashing into everything except the target. I tried not to get annoyed.

Ellie the intern, who is as slim as an actual blade and frankly looks like a good gust of wind would take her out, was thudding the axes into the board every single time. And burying them deep, further supporting the assumption that it’s all in the wrist. I watched her, wondering what she was doing and trying to emulate her relaxed flick, but to no avail. 

The only moment of actual glory I had during the whole escapade was when I landed two axes at once in the same board (on purpose). There is video footage of me capering about and yelling in disbelief. But apart from that, axes were largely not doing what I wanted. It was, however, enormous fun and I would recommend it to anyone. Hatchet Harry’s is at the bottom of Dyke Road, and well worth a visit. 

Sam is founder and Editor-in-Chief of Silver Magazine – for the mature maverick.  www.silvermagazine.co.uk

What a waste – inside the Real Junk Food Project

It’s 10 o’ clock on a summer Friday morning at the Gardener Café. Mick is carrying a box of red peppers down to the kitchen where vats of black beans and quinoa are bubbling. Sarah is making pastry for scones, sweet and savoury, cartons of yellow label strawberries, just on the turn, piled behind her ready for Karen Lloyd to reduce them into an accompanying jam. Elodie is chopping pretty pink radishes, and the air is fresh with camaraderie. 

This is the Real Junk Food Project’s central Brighton kitchen, bang in Gardener Street in the middle of the North Laine’s most vibrant shopping and café area. Mick and Sarah are volunteers, Karen and Elodie just two of the few paid staff, and the red peppers, black beans, quinoa, flour and strawberries just part of a massive haul from the overnight supermarket waste run. 

The Real Junk Food Project, whose mantra is “feed bellies not bins” was created by Adam Smith in Leeds in 2013, and has since grown into a national and international movement of cafes, projects and pop-ups with one core objective: To intercept food waste destined for land fill and use it to feed people who need it, on a ‘pay as you feel’ basis. With afterschool clubs at its sister café, The Fitzherbert Community Hub in Kemptown, and pay as you feel cafes at St Lukes Church, Hollingdean Community Centre and Bevendean Hub, it’s a busy operation.

“We have volunteers driving electric vans to supermarkets across the city picking up amazing food that would otherwise go to waste,” Karen told me. “We get cakes and breads, flour, dairy, all sorts of vegetables. A lot of it hasn’t even got the stickers on it. It’s just surplus. There’s literally nothing wrong with the food at all. But if it’s not collected that will just go into the bins and into landfill. It’s absolutely disgusting.” 

Disgusting is the right word. “A quarter to a third of food produced globally, is wasted” says the RJFP website, “and yet, there’s estimated to be 795 million people who do not get enough to eat. In the UK, two million people are estimated to be malnourished, while the UK as a whole creates an estimated 15 million tonnes of food waste every year.” If waste was a country, according to the UN, it would be the third largest in the world. 

But there’s not much time to chat about the politics this morning. Karen and her team are on a deadline. “Once it comes to our cafes, we chefs look at the food, decide on the menu, and get on with it”, says Karen. ‘We have three hours to get on with service.” 

The black beans, which have been soaked overnight, are going to go into a chilli and the Buddha bowls. The quinoa will become a tabouleh, while the pumpkin seeds have been roasted with a little bit of tamari. The mung beans have also been soaking to encourage them to sprout and will be added to the Buddha bowls. 

In the walk-in fridge, massive Kilner jars of fermented celeriac, sauerkraut, kimchis and jams line the shelves. Herbs, tomatoes, lettuces, courgettes and cucumbers – often organic and donated from personal allotments, local farmers and Infinity Foods, but most of which have come in on the supermarket run in the last 24 hours, are piled high in boxes, ready to be cooked up over the weekend.

By lunchtime, the tables outside are packed with students, families and homeless people, often sharing a long table. “It’s all pay-as-you-feel” says Karen, “so it gives everyone the chance to get a really good meal.” This is a place to have lunch with a friend, or strike up a conversation with someone with a whole new life view. You choose. “It does get people talking” says Karen, “and hopefully they talk about how good the food is. I think that’s what food does, doesn’t it?”

If people can afford it though, they try to encourage them to pay it forward. And with funding a perpetual problem on top of the cost of living crisis driving people to find food more cheaply, it’s hitting the tills at the Gardener Café hard. “We have a suggested donation of £6.50”, but most people are 

giving £1 or £2 for a full meal.”

The daily lunch on Monday, Thursday, Friday and Saturday is just one part of what Karen and her team of volunteers cook up over the course of the week. “This Saturday, we’re doing a 60th birthday party for 100 people. We’re making canapes and Buddha bowls for them. When the clients come to see us, we’ll go through a basic menu and make them aware it can change. We did a canape event on Wednesday for Wired Sussex. They wanted to know what the menu was going to be, but I couldn’t give it to them until three hours before the event because the ingredients can change. But when we got there and they saw the food, they were amazed by it.”

It’s clear that this is much more than a cheffing job for Karen, whose signature red lipstick and bleach blonde quiff suggests an interesting back story. “I moved to Brighton five years ago after living in Spain for 15 years. My partner had died and I was trying to find work and get back into the catering. I did some voluntary work for Junk Food, and I found my family, basically. That’s what it felt like. So, it really helped me to find my feet again after a very sad time in my life.”

If you want to get involved with the Real Junk Food Project, go to its website for more information. Donate if you can, but the real fun is lunch in the sunshine with whoever sits next to you. Just remember to pay it forward.

http://www.realjunkfoodbrighton.co.uk

Since writing this article we’ve learned that the Gardener Street cafe is to close.  The Real Junk Food Project put out this statement: 

“It is with great regret that the directors of @realjunkfoodbrighton have decided to discontinue their lease for the cafe on Gardner Street and, as a consequence, the Gardener will close on 25th September 2023. When we first signed up to take on a city-centre cafe using the pay-as-you-feel model, we knew there were going to be many challenges. We could not have foreseen the imminent Covid-19 pandemic, but we managed to weather the associated lockdowns and have continued to provide much needed meals to thousands in our community over the three years since.

Sadly, the current economic crisis is putting extra strain on the food industry and this, combined with soaring energy bills and ongoing building maintenance works, mean that the costs are just too heavy for us to keep the Gardener open. The latter is also taking its toll on our staff and volunteers in a way that is simply not sustainable. Whilst the doors of the Gardener are closing, the mission of The Real Junk Food Project continues and we are optimistic for the future. Our customers in Hollingdean Community Centre, St Luke’s Prestonville and the Fitzherbert Hub in Kemptown will still be able to benefit from pay-as-you-feel lunches created by our wonderful teams.

We hope that by unburdening ourselves from the financial liabilities of the Gardener, we will be able to focus precious resources and energy into our existing venues and commitments.

A massive thank you to all staff, volunteers and everyone who has been involved in our lovely cafe. And thank you Infinity Foods Co-operative for being a supportive landlord.

Jasmine’s florists

Flower pot? Flower? Get it? Oh, suit yourself. Gilly Smith talks to Jasmine, the new florist on the Dials

There’s a new florist on the Dials. After 27 years, local legend, Ian Graham hung up his pinking shears at Christmas and handed his business over to Shereen. 

Locals will recognise Shereen Druose from her occasional stints at Jasmine Healthfood, Shop which her husband, Phooad, has been running for 17 years since the family moved to the UK from Syria. But it was the occasional stints at Ian’s that has led to something of an epiphany for this mother of three. “I’d been volunteering for Ian, helping him out, you know?” she tells me as she stores the end of Friday flowers at the back of her husband’s shop as Ian had done for so many years. “And then I started to become interested in the flowers, the colours, learning the Latin names and things like that.” So it seemed a no-brainer for Ian to ask Shereen if she’d like to buy his business when he decided after his cancer diagnosis to retire. 

“I didn’t want to,” Shereen laughs. “I’m a mum of 17, 13 and 10-year-old kids and I didn’t want a big responsibility of running a business. And then there’s my language…” It was Phooad who spotted the opportunity, not just to build her confidence, but also to expand the Jasmine empire. He looked for help online and quickly found The Sussex Flower School, just half an hour down the road in East Hoathly, enrolled Shereen, and life quickly took a more fragrant turn. 

Shereen is rapturous about Georgia Miles, director of the flower school, and who, in full disclosure, happens to be a close friend of The Whistler. We know how persuasive she can be, but for Shereen, her eight-week career course in floristry was a game-changer. “I was so worried because my English is not so good,” she says. “But Georgia was just so nice. She was so motivating and inspiring. She was practical but also warm, and I made so many friends. I kept apologising for my language, and she just …” She whisks her hand in the smiley dismissive way I recognise. “She’d say ‘oh you’ll be fine!’” 

And she was. Over the eight weeks, she learned all that she needed to know to run a floristry business, from tax to waste to where to buy the best flowers. And there was tea and cake. Plenty of tea and cake. “I still ask her now for advice, and she’s so lovely.” 

Six months in at Jasmine Florist, which she now runs with  Nikki Vincent, and Shereen has got through Valentine’s Day and Mother’s Day and is still standing. She’s even managing the kids after-school clubs. 

Her family are all still in Syria, most in Damascus and some in Latakia in the North. She says that although they’re safe now, the war has left a miserable economic situation. 

Her story fills them with joy; “They follow me on Instagram!”, she says, beaming. And as she tells me how she’s able to send them money herself now, she wells up. “Even when I send them £100, it makes a lot of difference to them. So that’s really wonderful. Yeah.”

Joy + Play = Pickleball

Pickleball? Heard of it? Done it? Do it? Ceri Barnes Thompson goes for a dink… 

About 18 months ago the American podcaster, author, social worker and researcher Brene Brown posted a photo of herself on Instagram (right) that really caught my eye. She was wearing aviator shades, a headband and was holding a little racket and holey ball the like of which I’d never seen. She was also, importantly, wearing the most enormous smile. 

She wrote underneath this sunshine of a photo “For me, joy + play = pickleball. The court might be the only place in the world where I’m fully in the now. Not thinking ahead, worrying, wondering—just keeping my eye on the ball and my head in the game.”

What is this “pickleball”? Surely she meant “paddleball” or “raquet ball”? I asked myself, keen to achieve anything close to the level of happiness in that photo. I swiftly googled ‘Brighton and Hove Pickleball clubs’ and sent out an email to Richard Ellis hoping to join any kind of waiting list going. 

I got a swift and warm reply inviting me to come for a beginners ‘dink’. A week later I was on a court in Mouslecomb with around 16 people I’d never met before, welcomed and guided through the rules as a newcomer then straight into the deep end of playing pickleball. They take no prisoners those pickleballers, let me tell you. 

Liz is a whiz and keeps you on your toes. Paul is steady and stealth. “Stay out of the kitchen!” they yell! Before I knew it everyone was gathering up the gear and saying goodnight. 

Two hours had passed and Brown’s words couldn’t have been more true. I was elated. Maybe from running around – it’s a great work out. Maybe from feeling so welcome amongst strangers – it’s hugely comforting. Maybe from laughing out loud at myself. 

It’s really quite embarrassing when something that looks so easy is actually kind of hard. Maybe from the challenge of learning a new game – it’s very rewarding – but mostly I just felt like my over-stretched and stressed-out brain had had a break. Just like Brene, I’d experienced two hours just fully immersed in the game thinking of nothing else but that crazily lightweight ball and how to keep up with the rotation of each game. I came out feeling refreshed on a level I’ve not felt for years.

I asked Richard when he’d started playing the game. He’d been in Thailand looking for a doubles tennis game and they only played pickleball so he’d given it a go. 

Pickleball is often described as a mixture of tennis, badminton and ping pong – invented by three dads in the 60’s in the States for their bored kids during the summer holidays it’s massive in the USA now. The court is smaller than badminton and the net is low, like a tennis net. 

Richard and his wife loved it and the fact it’s easier on the joints than tennis so on returning to the UK they searched – a bit like me – once they came home to Brighton for picklers here. Finding one other couple – aces Joe and Liz – they persuaded the Stanley Deason people to let them mark up a badminton court for pickleball and started to play. 

Putting it out on Facebook they soon got a regular cohort of players with new people joining weekly. I asked him what it was about pickleball he loves. “I usually feel elated, glad to have played feeling we have had some good exercise with a great bunch of people, hoping to improve with time”. Jacqueline, another club regular who started playing the game in Florida in 2014, lives in rural Sussex and rides horses. She loves pickleball as it uses very different groups of muscles and is a good aerobic workout. She loves the people she meets as she has to travel widely to play – Bexhill, Eastbourne, Burgess Hill, Brighton, and she stressed “It’s not an old people’s game – it’s for everyone. It’s very social”. She’s right. 

On the day I played there were players from 18 to 80 – and the 80-year-old woman was one of the most sprightly and skillful on the court. I found it can be as gentle or as hardcore as you like – some of the games were seriously impressively skillful dinkathons with extremely competitive members sparring. 

Richard and Trish devote a lot of time to running something which, as with all community efforts like this, really delivers a huge scoop of joy to those who play. Sessions are broadly Thursday nights and Tuesday mornings give and take a few logistical bits and bobs. It’s harder for them than it should be due to the lack of facilities – they’ve recently moved to Moulescombe Leisure Centre, always searching for somewhere reliable to play. You can find them on Facebook – Brighton and Hove Pickleball Club – or if you google them, you can contact lovely Richard Ellis directly. You won’t regret it. And maybe we can persuade Brighton and Hove council to install some courts dedicated to the Mighty Pickleball. 

Sam Wollaston of The Guardian recently wrote about the game – coming to it with a hefty dollop of cynicism not least because he finds the name silly – ending up just like me, completely energised and turned around. “The thing about pickleball”, he said, “is that you can play at any level. As my level increases, I will play with greater intensity. And it will, and I will. Because it turns out I’m brilliant at pickleball! A total natural, nimble of foot and thought… the deftest of dinkers!”. 

That’s honestly how it makes you feel, very swiftly and without all the weight of tennis’ ladders, rankings and years of play. As George Bernard Shaw said “We don’t stop playing because we get old, we get old because we stop playing”. 

Come on, have a dink! 

l Check out the Facebook page for Brighton and Hove Pickleball Club

SOYA – THE GOOD,THE BAD AND THE UGLY

Doctors are confused by it; many health practitioners’ views differ on it, and you’ll find articles that sing its praises and those that slander it. So, let’s look at some of the facts about soya.

Soya is now in the top ten of allergenic foods, mainly because big food manufacturers are using it to bulk out their processed foods. Soya derived ingredients can be found in all manner of foods such as bread, breakfast cereals, sauces and many more.

Generally, people in the west over-consume soya due to using it as a replacement for cow’s milk, as well as their growing reliance on processed foods. 

In Eastern cultures soya foods are traditionally eaten in their fermented forms, such as miso, tempeh and natto, making them easy to digest. 

Until the discovery of fermentation techniques, the soya bean was not used as a food. In fact, its early use was for its root structure to enable effective crop rotation and its ability to fix nitrogen in the soil.

Soya in and of itself is not good or bad. There are however many considerations regarding its use, and more so regarding its source.

The Good

• Isoflavones and cancer prevention. Two substances genistin and diadzin are isoflavones present in soya beans. However, they are inactive and unusable unless fermentation has occurred, after which they turn into their active forms genistein and diadzein, shown to have cancer-protecting properties.

• Isoflavones can effectively help to balance oestrogen, without negative side-effects.

• Fermentation of these isoflavones can occur in the human digestive tract via the action of friendly bacteria. A healthy gut flora is needed for healthy hormone metabolism and is crucial if using soya therapeutically for hormonal balancing.

• Soya aids bone health and may reduce osteoporosis risk in menopausal women.

• The gentle oestrogen-like effect helps control menopausal symptoms such as hot flushes.

• Phytosterols in soya lower cholesterol and help prevent cardiovascular disease.

• Soya is a complete protein, containing all 8 essential amino acids and is a good source of vitamins and minerals.

The Bad

• Soya contains potent enzyme inhibitors that block the action of trypsin in the body, needed for protein digestion. It also contains phytic acid, a substance that blocks the uptake of calcium, magnesium, iron, zinc and copper in the digestive tract. The only way to effectively neutralise these substances is through fermentation.

• Too much soya acts as a goitrogen, meaning it can slow down thyroid function. Many soya products are genetically modified and contaminated with pesticides with soya being one of the most highly sprayed crops on the planet.

The Ugly

• Soya milk and soy protein isolate are made in large aluminium vats and “washed” with acid, resulting in the finished product being contaminated with this unhealthy metal, which has been linked to various diseases such as Alzheimer’s. 

• It is then flushed with an alkalising solution to neutralize it again. The high temperature of the processing denatures the other proteins in the soya. 

• Nitrates – known carcinogens – are formed during the spray-drying of the protein powder, which is used in many processed foods, including baby formulas.

• Acres of rainforest have been destroyed for the growing of soy on a mass scale for use in processed foods manufactured by the food giants.

How To Eat Soya in a Healthy Way

1. Only eat organic soya products, and where possible fermented versions of this food.

2. Increase your intake of other fermented foods such as kefir, sauerkraut and live, organic yogurt to supply your body with the beneficial bacteria needed for the active isoflavone conversion, or supplement regularly with a good probiotic.

3. Soya milk is best avoided or taken in small doses and certainly not daily. It shouldn’t be given to young children on a regular basis as it may interfere with their natural hormonal development.

4. Always choose organic soya milk if consumed.

5. Consume other “milks” such as oat and almond or make your own nut and seed milks if you’re avoiding dairy.

6. Avoid processed foods to minimise your intake of highly processed soy.

7. Minimise your intake of fake soya meats.

8. Enjoy miso, natto, tempeh and naturally fermented soy sauce.

9. Eat seaweed alongside soy products as it aids healthy thyroid function.

Provenance Matters

In my Nutritional Therapy practice I encourage my clients to take into consideration many factors relating to their food – where it was grown, whether it was sprayed, the company that grew it or produced it, how the animal was raised and treated in meat products, how to use certain foods – like soya – therapeutically, and how to avoid the “ugly” side of certain foods. 

Like soya, there are many foods that can be equally good, bad or ugly depending on how they are grown and processed. Fat is good example of this. Refined vegetable oils like mass-produced sunflower oil come under the “ugly” category, whereas grass fed butter and extra virgin olive oil are good for us. 

We’re living in a world where people think that being vegan is better for the planet, yet it’s much more complicated than that. Taking soya as an example, when it is over-farmed and highly sprayed and used in all manner of fake foods, it is certainly NOT good for the planet, or our health, not to mention the destruction of acres of rainforest for its use in mass production by the food giants! Like choosing grass fed organic meats, wild fish and healthy fats, it’s equally important to consider the provenance of your soya, grains and cereal foods too.

Jo Rowkins, Nutritional Therapist & Lifestyle Coach at Awakening Health.

www.awakeninghealth.co.uk

Fumi – the new Japanese restaurant from Wolfox

Mention the name Wolfox among the chattering classes of West Hill and Seven Dials and a hush descends. Who are these people? Aren’t they something to do with the Mafia? Brighton is no stranger to property tycoons with interesting connections, but Wolfox, according to those who’ve heard the rumours – or maybe that should be “those who spread the rumours” – is like some kind of hungry animal stalking the streets by night, sneaking into empty shops and restaurants whose throats were ripped out in Lockdown, settling in and serving up the city’s best cup of coffee to an unsuspecting passer-by. I could stretch the metaphor and suggest that Fabio Lauro, sporting a fetching apron in the kitchen of his latest opening, Fumi in Circus Street does have some pretty big teeth, but hey, this is just a fairy tale. Isn’t it?

“Sorry about the heavy breathing,” Lauro – Mr Wolfox – pants, “but I’ve just been running.” I daren’t ask from what. We’re here to talk about Fumi after a stunning meal the weekend before. I’d met him in the kitchen, sous cheffing to Reuben Waller who’s “been around” but cut his teeth with the legendary Nico Ladenis at Chez Nico back in the day. “Yeah, Gavroche too”, he tells me. He had taken me on the “culinary adventure” offered on the Carte Blanche, an opportunity to see what Fumi is all about, a trail through the aubergine and enoki mushroom tempura, tuna and salmon nigiri staples, and a silky belly pork in red wine and soy sauce. It turns out that the signature design-led fine dining experience is very fine indeed, although they could get their Wagyu from Trenchmore for better local creds. Still, they do have their own hydroponic farm.

Lauro’s breathing has calmed now and he’s very happy to tell me about the rise and rise of Wolfox. “The main expansion happened during Lockdown when quite a few landlords asked us to take some of the properties which tenants had left. So we took over one in Kemptown, then one in Prestonville. Our desire was never to expand everywhere but to be present within the communities. We weren’t even paying rent. They were just given to us. That was the thing”. I try to dismiss the image of Marlon Brando purring into my phone and replace it with one of Brighton’s biggest employers swooping in to sort out a crisis. Damn; same thing.

Fumi is the elegant big sister of Kusaki, the brightly-coloured Asian plant kitchen in Preston Circus which has cleverly scooped up the vegan pound and raised the game in town. Fumi, all gold leaf walls, massive doors and Insta-happy coffee grind table tops, reused and crafted in Lewes from the many Wolfox café leftovers, takes design to a new level;  Lauro, the Studio Six designer who began in Milan, leaves his pawprint on all his restaurants and cafes. This one, though, is dedicated to the memory of his brother, Andrea, who died in a tragic accident two years ago. “It’s definitely not another Wolfox. It’s just Fumi”, he says.

Leading the Circus Street development, although it didn’t really mean to, Fumi is already luring locals in for an Italian coffee and pastry in the morning before dimming the light sculptures by evening for a full-on Japanese fine dining experience. “They were really struggling because it was so big. They wanted the best coffee in town, so they asked us what we could do. But restaurants are our main business, and we wanted to get back to that.”

Circus Street got more than its coffee; the massive glass rectangular building, screened Japanese-style, sits stylishly next to Grand Parade, and brings a little Zen to the area. “We’re doing slow-minded coffee in the morning, and bento boxes for lunch.” I ask about his connection to Japan and he laughs. “I’m from Lake Como. I’m not going to open a pizza restaurant, am I? I love Japanese food; it’s clean for your body if it’s done very well. You have to have balance in life.” 

l Fumi Restaurant, 1 Circus St, BN2 9AS  01273 064516

View From The Hill – Nicholas Lezard – August 2023

I know I’ve written about it before, but I’m going to write about it again. Because it’s the pub. And not just any pub, but the Battle of Trafalgar, which you will know because you pass it on the road up the hill from the station. For some time I avoided it on the grounds that no pub that close to a train station could be any good. How foolish I was. 

Space is tight in The Whistler so I won’t describe it in detail and you probably know it already. Except to say that it is, and this is not meant disparagingly at all, what my children approvingly call “an old man pub”. That is: it doesn’t have TV screens or music, live or recorded. And people of all ages, not just the elderly, can be found there. I wish the fireplace worked so it could be even cosier in winter but you can’t have everything and besides the place really comes into its own in summer, because of its large and well-placed beer garden. Space can be at a premium in Brighton, and even though the town is well-stocked with pubs – the second-highest density of them in the country, after somewhere in Liverpool – there aren’t that many with such a wide-open space, especially in West Hill.

Of course, what makes a pub isn’t just its space, or its look, but the people who run it, and Mel, who has been running the place for more years than I know or can count, has made it the place we love (hiring the right staff has a great deal to do with it; they are wonderful).

And then Covid happened; and other things; and their bills went up as their customer base went down. I don’t go there as often as I’d like to because of similar budgetary restraints but when I popped in there and heard what the mark-up on their energy bills was going to be I had an attack of the vapours and I wasn’t even going to be liable.

So the Battle’s future became up for grabs. The sum being asked that I heard to take it over was … large. And their energy bills had gone up fivefold. Things were looking bad. Few things are more depressing than the closure of a pub, more damaging to a locality. And the companies that own and run most of the pubs in this country are not known for their philanthropy.

Everything seemed to be up in the air until the very last minute. On the day I write this, though, the pub has not closed down, but has changed hands. 

I spoke to Mel about this: she says that the new managers – who have also taken over the Green Dragon (a pub with, shall we say, a history) – seem like the kind of people who won’t be changing the Battle for the worse any time soon. 

She’s going to miss the place but says we should give the new managers a chance. So let’s do just that.

Conservation Matters – June 2023

We care about where we live. Jim Gowans is West Hill’s voice on the City council’s Conservation Advisory Group 

I’ve represented West Hill on the Conservation Advisory Group  (CAG) for over a decade and I’m keen to involve others in the Group. You don’t need particular qualifications other than an interest in our environment. 

CAG is a collection of local groups and societies independent from the council, and provides advice and comments on planning applications affecting listed buildings, conservation areas and so on. An elected representative of CAG is entitled to attend meetings of the Planning Committee and speak in support of CAG’s comments.

In my opinion, it is regrettable that the majority of planning applications are of poor quality and fail to preserve let alone enhance the character of our city’s conservation areas.

The first two applications featured here are such examples, the third shows 76 to 79 Buckingham Road which has greatly improved the street scene. For each, CAG’s reasons and other details are available on the BHCC planning website.

BH2022/02722 17 Buckingham Rd BN1 3RH

Demolition of existing garage and erection of a detached two storey plus basement, one bedroom dwelling (see pic, top right). The Group recommended refusal. Planning officers also refused to grant permission for this development on the corner of Buckingham Rd and Albert Rd. 

BH2022/03758 Footway Opposite 43 Dyke Rd BN1 3JA 

Installation of 20m high telecommunications monopole supporting 6no antennas and the necessary supporting cabinets and equipment. The Group recommended refusal, asserting that it would cause serious harm to the character of the area. Again, planning officers subsequently refused to grant permission for this 5G mast and its ancillary cabinets. 

BH2016/01766 and further applications 76-79 and 80 Buckingham Rd

CAG recommended approval in 2016 for the first of these proposals and is pleased to see that the restoration and development of the four Victorian properties is now complete. The re-instatement of cast iron railings is particularly well executed (see picture), while the plaque to the former headmaster of the Brighton Grammar School, which once occupied the site of no.80, has been preserved.

Unfortunately the corner of the site (no.80) remains derelict. There have been six more planning applications since the 2016 application was granted and one wonders how many more applications and how many more years it will take before the site is built out. 

It should be noted that the “affordable units” are now proposed for this site, but how much longer can those in need of such housing afford to wait?

Do contact The Whistler if you would like to involved.